The Red Heads was a pseudonym for Red Nichols & His Five Pennies whenever their recordings were released on the Melotone, Oriole, or Perfect labels during the years 1925-1927. Following in the wake of EPM Musique's 25-track Complete edition of 1998, Jazz Oracle's 74-track, three-CD set of 2004 augmented the main body of their work with a surprisingly large number of sides by pop vocalists Jay C. Flippen and Cliff Edwards with sweet and jazzy accompaniments by the Red Heads. Edwards, also known as Ukulele Ike, eventually achieved international fame as the voice of Jiminy Cricket. This exhaustively thorough chronological survey also features vocals by Frank Gould and Arthur Fields.
These 20 CDs comprise over 25 hours of music captured on-stage in the 1940s, ‘50s, and ‘60s at KWKH’s legendary Louisiana Hayride radio show. Staged live in Shreveport, the Hayride featured national country music stars, soon-to-be legends, regional break-outs, and talented newcomers. Most of this music has not been heard since the day it was broadcasted.
From New Orleans to Harlem. The most important recordings of the golden age. Mit King Oliver, Jelly Roll Morton, Louis Armstrong, Johnny Dodds, Jimmie Noone, Sidney Bechet, Bix Beiderbecke, Duke Ellington, Fletcher Henderson, Earl Hines, Jack Teagarden, Red Nichols, Clarence Williams, Muggsy Spanier, Frank Teschemacher, Adrian Rollini u.a. 100-CD-Box with original recordings. From the early days to the late 1950s, the highlights of Swing are presented on these 100 CDs.
20 Original albums on 10 CDs! King Curtis, Illinois Jacquet, Gene Ammons, Shirley Scott, Eddie "Lockjaw" Davis, Roland Kirk and more!
The tenor sax was to Rhythm & Blues-hits of the 40s and 50s, what the guitar went on to become to RocknRoll. Put on an R&B-single from that era and you will most likely hear a tenor sax break or solo. Eventually, the tenor players stepped out to make records under their own name. These Soul Tenors were expressing themselves by honkin, shoutin, riffin, riding high on a single note or barking out a guttural howl, as Ted Gioia described it in The History of Jazz, all the while, carrying the moan in their tone, according to Cannonball Adderley…
If John Ford is the greatest Western director, The Searchers is arguably his greatest film, at once a grand outdoor spectacle like such Ford classics as She Wore a Yellow Ribbon (1949) and Rio Grande (1950) and a film about one man's troubling moral codes, a big-screen adventure of the 1950s that anticipated the complex themes and characters that would dominate the 1970s. John Wayne plays Ethan Edwards, a former Confederate soldier who returns to his brother Aaron's frontier cabin three years after the end of the Civil War. Ethan still has his rebel uniform and weapons, a large stash of Yankee gold, and no explanations as to where he's been since Lee's surrender. A loner not comfortable in the bosom of his family, Ethan also harbors a bitter hatred of Indians (though he knows their lore and language well) and trusts no one but himself. Ethan and Martin Pawley (Jeffrey Hunter), Aaron's adopted son, join a makeshift band of Texas Rangers fending off an assault by renegade Comanches.