Edwards Marisha

This 1999 session finds Honeyboy working his acoustic magic in the company of Madison Slim on harmonica and Jimmy D. Lane, son of the late Jimmy Rogers, on second guitar. Recorded at the Blue Heaven Studios (a converted church) in Salina, Kansas, this is a pretty inspired session with Edwards running through old classics like Charlie Patton's "High Water Everywhere" and "Pony Blues", "Drop Down Mama", "Shake 'Em on Down", "Anna Lee", "Bullfrog Blues", and "Monkey Face Woman". As an added bonus, there's also an interview with this fascinating bluesman, making this session a real keeper. One of his best.

We maneuver through woody sounds created by individual movements and decisions. Our cello playing is free from classical patterns, a real achievement! It is not natural to develop one's own approach to this high culture instrument. In this trio there are three multi-layered variations of personal expressive will and power.

This 1999 session finds Honeyboy working his acoustic magic in the company of Madison Slim on harmonica and Jimmy D. Lane, son of the late Jimmy Rogers, on second guitar. Recorded at the Blue Heaven Studios (a converted church) in Salina, Kansas, this is a pretty inspired session with Edwards running through old classics like Charlie Patton's "High Water Everywhere" and "Pony Blues", "Drop Down Mama", "Shake 'Em on Down", "Anna Lee", "Bullfrog Blues", and "Monkey Face Woman". As an added bonus, there's also an interview with this fascinating bluesman, making this session a real keeper. One of his best.

This 1999 session finds Honeyboy working his acoustic magic in the company of Madison Slim on harmonica and Jimmy D. Lane, son of the late Jimmy Rogers, on second guitar. Recorded at the Blue Heaven Studios (a converted church) in Salina, Kansas, this is a pretty inspired session with Edwards running through old classics like Charlie Patton's "High Water Everywhere" and "Pony Blues", "Drop Down Mama", "Shake 'Em on Down", "Anna Lee", "Bullfrog Blues", and "Monkey Face Woman". As an added bonus, there's also an interview with this fascinating bluesman, making this session a real keeper. One of his best.

Bringing together trumpeter Howard McGhee and saxophonist Teddy Edwards, “Together Again!!!!” was originally released on Contemporary Records in 1961. In addition to Edwards and McGhee, the album features Phineas Newborn Jr. (piano), Ray Brown (bass), and Ed Thigpen (drums). This new edition, released as part of the Acoustic Sounds Series, features (AAA) lacquers cut from the original master tapes by Bernie Grundman and is pressed on 180-gram vinyl at QRP, and presented in a tip-on jacket.

Bringing together trumpeter Howard McGhee and saxophonist Teddy Edwards, “Together Again!!!!” was originally released on Contemporary Records in 1961. In addition to Edwards and McGhee, the album features Phineas Newborn Jr. (piano), Ray Brown (bass), and Ed Thigpen (drums). This new edition, released as part of the Acoustic Sounds Series, features (AAA) lacquers cut from the original master tapes by Bernie Grundman and is pressed on 180-gram vinyl at QRP, and presented in a tip-on jacket.

Bringing together trumpeter Howard McGhee and saxophonist Teddy Edwards, “Together Again!!!!” was originally released on Contemporary Records in 1961. In addition to Edwards and McGhee, the album features Phineas Newborn Jr. (piano), Ray Brown (bass), and Ed Thigpen (drums). This new edition, released as part of the Acoustic Sounds Series, features (AAA) lacquers cut from the original master tapes by Bernie Grundman and is pressed on 180-gram vinyl at QRP, and presented in a tip-on jacket.

Sophie Agnel plays the whole piano. Its body matters as much as its strings. The keyboard's lid is just as good closed as it is open - in fact it’s best slammed open and closed rapidly. Joined by bassist John Edwards and drummer Steve Noble, Three on a Match explodes the piano trio - each player sparking off the other so quickly that it’s impossible to figure out who lit the flame.