Edwin F. Becker

The band Steely Dan - in essence the musicianship and songwriting team of Walter Becker and Donald Fagen - has long divided the critics : some have marvelled at a highly imaginative blend of intelligent, "literary" lyrics and a carefully crafted influence of jazz and Latin rhythms within the rock template, whilst others have detected a certain coldness in the work, due perhaps to over-elaboration and perfectionism. Of course, deciding to name your b.nd after a dildo in William Burroughs's cult novel Th Naked Lunch will invite criticism , but none of those who questioned Steely Dan's Status at the top of the tree of 70s rock could ever seriously dispute the immaculate execution of their vision.

Inspired by a desire to offer my own kids a fresh guide to the orchestra, Philharmonia Fantastique was created to showcase both the artistic and technical wonders of the medium. Like its predecessors Peter & the Wolf and Young Person’s Guide to the Orchestra, it colorfully presents the instruments of the orchestra in the medium of a film soundtrack. Philharmonia Fantastique uses both musical genre and electronic sounds for characterization: noir-ish jazz for the woodwinds; bending lyricism in the strings; dark techno for the brass; drum-corps in the percussion; and, for our Sprite protagonist, a simple yet harmonically wandering piano melody.

Alexandra Netzhold has been captivating audiences all over the world for over two decades now. She is seen as one of the most enthusiastic promoters of classical music. The Magazine “Paris Actualités Musique“ attests „fantastic skill with musical fire” and is impressed by her “profound and varied artistic expression”.

Edwin Hawkins was an American gospel musician, pianist, choir master, composer, and arranger. He was one of the originators of the urban contemporary gospel sound.

Reger is one of those composers more talked about than listened to—caricatured as a prolific writer of organ music with a penchant for dense musical textures. But he certainly wasn’t averse to a good tune: the two Romances abound in lush lyricism, while the magnificent A major Violin Concerto shows him continuing in the tradition of the violin concertos of Beethoven and Brahms. An unashamedly symphonic work, it’s nearly an hour long—around the same length as the nearly-contemporary Elgar Violin Concerto. No less a figure than Adolf Busch championed it—first performing it when he was just sixteen.

The Braunfels—a concerto in all but name—and Pfitzner make an apt pairing, two works dating from the twilight of German Romanticism. Both are heroically dispatched by Markus Becker, with Constantin Trinks and his Berlin Radio Symphony forces providing idiomatic support.