El Amor Menos Pensado 2018

Bubu was born in the mid of the 1970s, created by composer Daniel Andreoli. In the midst of a turbulent time in Argentina's history, Bubu struck the local music scene with an exceptional music, breaking schemes already imposed by the existing rock, mixing symphonic melodies and harmonies with the characteristical ecstasy and frenzy of progressive rock.
While "El Eco del Sol" (2018) does not outdo it's classic predecessor in intensity and compositional prowess, it does nevertheless deliver the goods as a brilliant sophomore album that in all honesty sounds like it truly could have come out two years after the debut "Anabelas" (1978).

Funny band name! However, stylistically they are flexible definitely, no question. With the focus on dual guitar action and varied rhythm work, plus minimalistic keyboard respectively synthesizer attendance. Post/math bands often enough are sounding single tracked, when it comes to my taste, or are exaggerating their trickiness. Though here we have a well balanced relation of finesse and accessibility to state. The six songs are completely instrumental, furthermore also striving for an eclectic blend of quite different progressive rock moves.

Bubu was born in the mid of the 1970s, created by composer Daniel Andreoli. In the midst of a turbulent time in Argentina's history, Bubu struck the local music scene with an exceptional music, breaking schemes already imposed by the existing rock, mixing symphonic melodies and harmonies with the characteristical ecstasy and frenzy of progressive rock.
While "El Eco del Sol" (2018) does not outdo it's classic predecessor in intensity and compositional prowess, it does nevertheless deliver the goods as a brilliant sophomore album that in all honesty sounds like it truly could have come out two years after the debut "Anabelas" (1978).

Leonardo García Alarcón writes: “The memories of my childhood in Argentina always bring me back to the singer-songwriter Joan Manuel Serrat, synonymous with shared family moments… Serrat’s poetry and music around a barbecue in Argentina; “De vez en cuando la vida” made me cry as it has made millions of people cry in Latin America, Spain and elsewhere… Joan Manuel Serrat is part of our life, he is our Jacques Brel!… Or, if we project ourselves back to the sixteenth century, he is in a sense our little Camerata Fiorentina, that movement of Italian poets and musicians in Florence. Serrat has allowed the whole of Latin America and Spain to reappropriate the works of its poets… "