Funny band name! However, stylistically they are flexible definitely, no question. With the focus on dual guitar action and varied rhythm work, plus minimalistic keyboard respectively synthesizer attendance. Post/math bands often enough are sounding single tracked, when it comes to my taste, or are exaggerating their trickiness. Though here we have a well balanced relation of finesse and accessibility to state. The six songs are completely instrumental, furthermore also striving for an eclectic blend of quite different progressive rock moves.
Bubu was born in the mid of the 1970s, created by composer Daniel Andreoli. In the midst of a turbulent time in Argentina's history, Bubu struck the local music scene with an exceptional music, breaking schemes already imposed by the existing rock, mixing symphonic melodies and harmonies with the characteristical ecstasy and frenzy of progressive rock.
While "El Eco del Sol" (2018) does not outdo it's classic predecessor in intensity and compositional prowess, it does nevertheless deliver the goods as a brilliant sophomore album that in all honesty sounds like it truly could have come out two years after the debut "Anabelas" (1978).
Me El-Ma is a drummer that discover synthesizers and was part of the Israel band Atmosphera in 1976. He joined another band from Israel Zingale. Here on this third album, his music becomes more accessible but he still enjoys experiment with dissonant music and different styles of music. From the first song, we could feel the King Crimson influence but with the vocal tone of Jon Anderson. The drums patterns are complex and the Robert Fripp style of guitar make you wonder if it's not Mr. Fripp himself. "Without Further Ado" is a nice little peaceful song that starts on a lighter note with some world beat drum and violin. "Pleas as You Please" is a strange track difficult to get into. "Eternity Heart" is a beautiful exotic guitar and violin duel…