El Amor Menos Pensado 2018

Only a favored number of very old conductors manage the secret of getting more fascinating as the years progress. Like Pablo Casals, Stokowski belonged to that tiny elite. for that reason I've collected all the BBC Legends issues devoted to him, which date from his frequent sojourns to England in his eighties and nineties. Britten's Young Person's Guide from a Proms concert in royal Albert Hall in 1963 with the BBC Sym. features more vivid, up-close sound. This reading has been reissued quite a lot and is marked by Stokowski's rather grave, measured interpretation. He takes this work more seriously than anyone else I've heard; the results are impressive, and more than once you think you're hearing him revisit one of his famous grandiose Bach transcriptions. As an earlier reviewer notes, each variation is turned into a set piece.

Los 7 pasos para el éxito en el amor, ofrece una guía adecuada e imprescindible para alcanzar una relación de pareja feliz, duradera y saludable.

One of the most exciting and unusual musical encounters to have taken place in recent years: Plácido Domingo, world-renowned opera tenor, met Pablo Sáinz Villegas who Domingo hailed Villegas as, “The master of the guitar”. Upon meeting on stage in June 2016 at a benefit concert marking Domingo’s seventy-fifth birthday held in Madrid’s Santiago Bernabéu Stadium before an audience of 80,000 enthusiastic spectators. The high point of this magical night of music was “Adiós Granada” from the one-act zarzuela Emigrantes by Tomás Barrera that dates from 1905. Afterwards Pablo Villegas spoke of the great energy and inspiration that he felt as a result of this encounter.

Nobuko Imai has been a leading viola player since the early 1990s. She studied at Tokyo's Toho Gakuen Music School before continuing her training in the United States at both Yale University and the Juilliard School. Following her graduation from Juilliard, she triumphantly vanquished all competitors to win the highest prizes at the Munich and Geneva international competitions. She is a former member of the prestigious Vermeer Quartet, known for sharp performances of the Mozart and Beethoven chamber repertoire. Since leaving this ensemble, she divides her time between performing as a soloist with the world's major orchestras, such as the English Chamber Orchestra, the London Symphony Orchestra, the London Philharmonic, and the Dallas Symphony Orchestra, and teaching in Europe and Japan. She returns regularly to her native land where she serves as artistic adviser of Casals Hall in Tokyo.