Electric Flight September 2016 (true Pdf)

At the beginning of 2010, Medicine Show No. 1: Before the Verdict kicked off what was planned to be a monthly 12-volume series from the underground hip-hop producer. Volumes were themed, with reggae, Brazilian pop, jazz, marijuana dispensaries, and rapper Guilty Simpson all figuring into the mix. With only a few delays, the series wrapped up in 2012, with a "secret" No. 13 also seeing release that same year. The Brick collects it all with simple shrink-wrap and no bonuses to speak of, and while the revered Madlib draws the kinds of fans who would have pre-booked every release ahead of time, latecomers get an easy pickup and instant karma overflow when it comes to coolness. Dive in or keep out, but if you like edgy, dense hip-hop productions that billow out of the speakers like the best Indo smoke you've ever exhaled, best to dive in.

This simple celebratory cantata made Stradella a well-known theatrical personality. As opposed to using traditional recitative, Stradella incorporates string interludes interrupting the characters, which allowed them to express emotions during facial expressions and movement, a novelty during the Baroque era. The Concerto Madrigalesco performs these works extraordinarily with historical performance practices.

Yvonne Elliman had a brief moment in the spotlight during the middle of the '70s, yet she appeared on many of the decade's biggest hits as a backing singer. While she was in high school in Hawaii, Elliman sang in a group called We Folk. She moved to London in 1969 and began singing at the Pheasantry folk club, located on Kings Road in Chelsea. It was here that songwriters Andrew Lloyd Webber and Tim Rice discovered her. The duo offered her the role of Mary Magdalene in their new rock opera, Jesus Christ Superstar.