Elite From Issue 31, June 2012 Brunette Issue in Pdf

The appointment in 1689 of Pietro Ottoboni as Cardinal of San Lorenzo in Damaso marked the beginning of one of the most splendid epochs of patronage of the arts in Rome. A passionate lover of music, Ottoboni gave his protection to numerous musicians: Handel, Pasquini, Scarlatti and Caldara all at some point worked at the cardinal’s court. A few months after his election, Ottoboni took into his service the famous violinist Arcangelo Corelli, who was employed not only as first violin and leader for the instrumental music, but had complete control also over the sumptuous musical events.

In 1969, legendary psychedelic/early progressive rock band Baba Scholae recorded an album at IBC Sound Recording Studios in London - however, it was never officially released. The band's leader was Jean-Yves Labat de Rossi, better known as M Frog, the synth and keyboard maestro on Todd Rungren's early Utopia albums and coincidentally, the founder of the Ad Vitam label. Only three copies (acetates) of 69 where made, but the album's cult following lasts to this day. Often compared to the work of King Crimson, Pink Floyd, Soft Machine and Gong, Baba Scholae's 69 is truly a ''lost and found again'' masterpiece with music that was years ahead of its time. For a gem like this to have been buried for 43 years is nothing short of extraordinary.

WhoCares, full title Ian Gillan & Tony Iommi: WhoCares is a music project by Deep Purple frontman Ian Gillan and Black Sabbath guitarist Tony Iommi and a charity release by the supergroup WhoCares they had formed with the help of other musicians, to raise money to rebuild a music school in Gyumri, Armenia after the destruction of the city in the 1988 earthquake in Armenia. In addition to Ian Gillan and Tony Iommi (who were Black Sabbath bandmates from 1983-1984), many artists took part in the charity music project including Jon Lord (Ian Gillan's then-Deep Purple bandmate), ex-Metallica bassist Jason Newsted, Iron Maiden drummer Nicko McBrain, and HIM guitarist Mikko "Linde" Lindström.

Debussy is closer to the expressionism of Schoenberg than to the chiselled sonorities of a Chopin or the extravagant virtuosity of a Liszt, even if his refined art can still be seen in the line of tradition of 19th-century music. This is frequently forgotten in the interpretation as well as the assessment of his oeuvre. Debussy himself decried the concept of musical impressionism because he feared, rightly, that superficial refinement would degenerate into musical mist, concealing the subtleties of a new musical idiom and its structural logic. Thus, for example, instead of heading his 24 “Préludes” in two books with programmatic titles in his autograph score, he appended them at the bottom of the individual pieces.