Eliza Mclamb Going Through It

Before Breakfast with their debut album I Could Be Asleep If It Weren’t For You. The Sheffield duo have always explored feminist issues through the telling of personal stories – fusing their classical knowledge and rich arrangements with raw expression.

Leif Maine and Jackson Mathod are thrilled to announce the August release of their album, "Volte-Face", with a single of the same name. This collaboration marks a bold new chapter in contemporary jazz, blending traditional and modern elements with great artistry and a willingness to explore many genres on one project.

Big Red Machine is led by Aaron Dessner (The National, producer for Taylor Swift, Sharon Van Etten and others) in collaboration with Justin Vernon (Bon Iver). How Long Do You Think It’s Gonna Last? features over a dozen marquee collaborators, including some of the biggest names across mainstream pop, indie, folk and other genres. It features Taylor Swift, Fleet Foxes, Sharon Van Etten, Ben Howard, this is the Kit, Anais Mitchell and more.

Vera Ellen’s upcoming Flying Nun debut, It’s Your Birthday, was written over the space of a few years. It chronicles the highs and lows of Vera’s early twenties, and is integral to the artist’s growing process. Each song hits some kind of unforgettable, yet relatable, touch stone in Vera’s life.

Oh friends. Here is one we have been excited to share for some time. Into It. Over It. have said in the studio for many years "if you cannot make a good decision make an interesting one".

Is It Light Where You Are is the debut album from Art School Girlfriend, moniker of Welsh producer, multi-instrumental musician and song writer Polly Mackey. Mostly written over a two week period of 14-hour solo studio sessions, the bulk of her album is torn straight from a journal kept throughout 2019.

Erwin Stein, a disciple of Arnold Schoenberg, arranged Gustav Mahler’s Fourth Symphony for a chamber ensemble. The premiere was given in 1921 with Schoenberg conducting at one of his famous Society for Private Musical Performances in Vienna. Stein had known Mahler and gained a deep understanding of his compositional processes. in this arrangement he sought to highlight the symphony’s chamber texture and restore its tone colours.

John Moreland doesn’t have the answers, and he’s not sure anyone does. But he’s still curious, basking in the comfort of a question, and along the way, those of us listening feel moved to ask our own. “I don’t ever want to sound like I have answers, because I don’t,” he says. “These songs are all questions. Everything I write is just trying to figure stuff out.”