Franz Josef Aumann (1728-1797) was a free and innovative composer. His chamber music is really worth exploring as they provide a lively and interesting listening experience.
Following on from the highly expressive psalm settings, we now present the glorious antiphons of the master from Schärding am Inn: exquisite church music which Emperor Leopold I himself proclaimed as being definitive for the Catholic lands.
"Peace" is a double-CD conceptual album. Twenty-three tracks, two hours and twenty-seven minutes. Two years of intense research on the endless theme of "war and peace" revisiting a series of historical events, from 1890 to the present day. These events were reenacted trying to find a kind of justice for those involved. Stories of courage and the good that exist in man bring some hope and point to a future. At best, this future is uncertain, unknown. But what is certain is that man is capable of fulfilling beautiful dreams and terrible nightmares.
Ars Pro Vita is two brothers from Porto Alegre, Brazil. The two has been exposed to many styles of music. The ideas behind their music reflect their views on life, human nature at its idiosyncrasies…
Ars Pro Vita is the result of a flood of ideas to realize projects which subjects may always reflect their views on life, human nature and its idiosyncrasies. Music is an art form. Life needs art to stay alive. Their aim is to spread our music as a form of art to serve life. Art For Life. Ars Pro Vita.
Cords between us, beings. Cords through time. Cords with outer worlds. All connected, in threads, Invisible for some, but tangible for others. The cords of life.
Gunar Letzbor and his ensemble Ars Antiqua Austria are proven specialists for Austrian baroque music. During recent years, they have rediscovered, performed and recorded polychoral Festive Masses by Weichlein, Ramhaufsky and Hochreither and thus Georg Muffat's magnificent 'Missa in labore requies' is a logical choice of repertoire. This work is the only surviving church music by Georg Muffat and is overwhelming in sonic impact and profundity but also a richness of melodic invention. In its polychoral design, the work is in the tradition of Salzburg Festive Masses, reflecting in their extraordinary musical opulence, the almost boundless material wealth of the prince bishops who commissioned them.