Elizabeth Kenny Ars Onga

Learn, build and implement the most powerful AI model at home. Compete with multi-billion dollars companies using ARS.

Learn, build and implement the most powerful AI model at home. Compete with multi-billion dollars companies using ARS.

“Shakespeare has been a part of my life as a performer from the very start” says Ian Bostridge, “Britten's Midsummer Night's Dream and Ades's The Tempest have been milestones for me as a singer. It has been a great joy to rediscover the music in Shakespeare's incomparable texts and the music that has been written over the past four centuries toclothe them, from the simplest songs of his own contemporaries, through the melodic delights of the likes of Haydn, Britten and Finzi to the matchless complexity of the late Stravinsky. Working again with Tony Pappano has been a joy; and making my first recording with a long term musical partner, lutenist Liz Kenny, a particular pleasure.”

Robert Schumann called Mendelssohn the Mozart of the 19th century given his mastery of both the keyboard and composition at such an early age. On "Wunderkind Felix" conductor Patrick van der Linden and Ars Musica pay tribute to the precocious work of Felix Mendelssohn Bartholdy with this album of pieces the young master wrote between the ages of 14 and 19. Ars Musica presents a reorchestration of the 1st Symphony for chamber orchestra which explores the flexible orchestral settings of Mendelssohn's youthful compositions. This is paired with the equally youthful String Symphony No.10 and his Kyrie, which is performed by the Ars Musica Chorus and Orchestra. Soprano Nanette Mans and the Ars Musica Chorus join the orchestra to perform the Cantata 'Wer nur den lieben Gott lasst walten' and his setting of Ave maris stella, both written in 1828 when he was a mere 19 years old.

Phantasm adds to its critically-acclaimed repertory of English viol consort music with the first recording in what will be a series exploring the music of Matthew Locke.

Robert Schumann called Mendelssohn the Mozart of the 19th century given his mastery of both the keyboard and composition at such an early age. On "Wunderkind Felix" conductor Patrick van der Linden and Ars Musica pay tribute to the precocious work of Felix Mendelssohn Bartholdy with this album of pieces the young master wrote between the ages of 14 and 19. Ars Musica presents a reorchestration of the 1st Symphony for chamber orchestra which explores the flexible orchestral settings of Mendelssohn's youthful compositions. This is paired with the equally youthful String Symphony No.10 and his Kyrie, which is performed by the Ars Musica Chorus and Orchestra. Soprano Nanette Mans and the Ars Musica Chorus join the orchestra to perform the Cantata 'Wer nur den lieben Gott lasst walten' and his setting of Ave maris stella, both written in 1828 when he was a mere 19 years old.