Eloy Ameling

Ameling, one of the world's most beloved recitalists is captured here in a 5 CD collection offering some of her most beautiful recordings of song. While we are used to her perfection in songs of Bach, Mozart, Schubert, Schumann, Faure and Hahn, an added joy is her "pop" side, tackling - without a whiff of pretension, Porter, Kern, Gershwin, Ellington, et al. What an absolute joy it is listening to this amazing artist sing these songs with an almost uncanny natural ease. There is no resorting to a "pop" voice and yet most of these pop standards songs sound as though they could have been written for her. Clean attacks, sometimes a bit of the pop technique of hanging on to a consonant longer than a classical artist normally would shows an appreciation and understanding of the style. Still, there is never once a compromise of her vocal beauty.

German progressive rock band formed in Hannover in 1969. They took their name from H.G. Wells' "The Time Machine", and sci-fi elements feature in much of their music, particularly the mid-to-late 1970's concept albums…

2017 album from the German prog rockers. The Vision, The Sword and the Pyre is a rock opera about Joan of Arc. Composed, directed and produced by Frank Bornemann, the work is dedicated to the life and acts of the late Middle Age French heroine Joan of Arc, canonised in 1920, and combines unique musical complexity with absolute and unbiased historical precision. Eloy aside, Frank Bornemann is an acclaimed supervisor and producer of well-known bands of different musical stripes (including Scorpions, Guano Apes and Revolverheld).

This is the debut recording from one of Germany's most accomplished progressive rock bands. The band was originally co-led by vocalist Erich Schriever and guitarist Frank Bornemann, and the two differed on musical direction, which is evident here…

German progressive rock band formed in Hannover in 1969. They took their name from H.G. Wells' "The Time Machine", and sci-fi elements feature in much of their music, particularly the mid-to-late 1970's concept albums…

In 1978, Eloy released the double Live (squeezed onto one CD), at a time when most progressive bands were either going commercial or altogether disbanding. Eloy however were at the peak of their popularity in their homeland of Germany and most of their albums from 1976 to 1982 would sell over 200,000 copies. Rightly considered the German Pink Floyd, the band was famous for elaborate stage shows featuring copious laser lights, dry ice machines and plentiful pyrotechnics.
Live compiles some of the band's best loved compositions to date and very often, the live versions outshine their studio counterparts…

The Easter Oratorio (German: Oster-Oratorium), BWV 249, is an oratorio by Johann Sebastian Bach, beginning with Kommt, eilet und laufet ("Come, hasten and run"). Bach composed it in Leipzig and first performed it on 1 April 1725.

The Tides Return Forever was Eloy's comeback and partial return to their progressive roots. Although firmly rooted in the AOR that was so dominant on preceding albums, one can really sense a remarkable improvement in the Eloy sound…