TWET - a music album recorded by Polish jazz trumpeter Tomasz Stańko and accompanying musicians. LP TWET (a title probably formed from the first letters of the names of the performers) is an album belonging to the free jazz trend. The American bassist, Peter Warren, played with three musicians who collaborated constantly: Tomasz Stanka, Tomasz Szukalski and Finnish drummer Edward Vesala. All songs are joint compositions of the participants of the recording session. The recordings were made on April 2, 1974 in the PWSM hall in Warsaw. The album was included in the Polish Jazz series (vol. 39).
On the new album: A fantastic new album from one of the best German Bands. Fire From The Soul combines all elements you can expect from a new Epitaph album in 2016: singing twin-guitars and sparkling rock songs with choral singing for several voices. This album is surprising all along the line through the steady quality from first to last song…
John Cage’s innovative work and unorthodox ideas profoundly affected Western music during the latter half of the 20th century, and this second of two volumes (volume 1 can be heard on Naxos 8.559773) concludes Katrin Zenz’s survey of his complete works for flute. The earlier chromatic compositions include an astonishing variety of playing techniques and a bewildering rhythmic complexity, while the elements of chance in the later works result in music that is always undergoing kaleidoscopic processes at once arbitrary and intensely focussed in form and expression.
When Vilde Frang programs violin concertos in unexpected pairs, such as her 2010 coupling of Jean Sibelius' Violin Concerto in D minor with Sergey Prokofiev's Violin Concerto No. 1 in D major, or her 2012 disc of Carl Nielsen's Violin Concerto matched against Pyotr Il'yich Tchaikovsky's Violin Concerto in D major, the results are quite fascinating. For this 2016 release on Warner Classics, Frang plays the Violin Concerto in D major, Op. 35 of Erich Wolfgang Korngold and the Violin Concerto, Op. 15 of Benjamin Britten, and the works invite comparisons because they are so dramatically different.
Think of Canadian rock bands and Rush probably spring to mind, as would Steppenwolf and Triumph. All fantastic bands. That's not to take anything away from April Wine, who in terms of output (if not success), must rank alongside the aforementioned. Classic hard rock that is really worth checking out….
Two years in the making, Close To The Noise Floor is a 4CD, 60-track set exploring the origins of electronica in the UK. Featuring tracks from key figures on the cassette label underground alongside early releases by future stars of the movement, this is part primitive rave, part synthesiser porn and part history lesson.
Lapis Lapis Lazuli formed out of the incestuous Canterbury scene in 2008 and craft their sound at their spiritual home, The Bungalow - a place where musos regularly gather for jam parties and improvise long into the night.
Their two debut albums ‘Reality Is’ and ‘Extended Play’ were recorded in 2012 by the band themselves - both jam packed with 10 and 20 minute tracks totalling over 2 hours.
With influences ranging from Progressive Rock, Math Rock, Funk, Jazz, Balkan, Psychedelia and Alien Visitation their 3rd project ‘Alien/Abra Cadaver’ is a tour-de force of the band’s past and future musical paradigms crystallized into orchestral proportions that takes them a step forward into new unchartered lands…