Emerson, Lake & Palmer The Hi Res Album Collection 1970 79 (flac 24 96)

A 7CD box set collecting five remastered ELP performances from 1970 to 1997, culminating in an unreleased concert from Phoenix, Arizona.

2016 three CD collection from the iconic prog rock trio. Produced by Greg Lake, this career-spanning set has 39 tracks from the years 1970 to 1998, with the choice of material approved by the band. It is presented in special casebound book packaging with detailed, informative sleeve notes, and illustrated with rare band photographs. Among the highlights are "Karn Evil 9," "Still… You Turn Me On," the band's performance of Aaron Copland's "Hoedown," their version of "Jerusalem," "Fanfare For The Common Man," Emerson's rendition of "Honky Tonk Train Blues," Lake's 1975 solo hit "I Believe In Father Christmas" and the group's interpretation of the TV theme "Peter Gunn."

Lively, ambitious, almost entirely successful debut album, made up of keyboard-dominated instrumentals ("The Barbarian," "Three Fates") and romantic ballads ("Lucky Man") showcasing all three members' very daunting talents. This album, which reached the Top 20 in America and got to number four in England, showcased the group at its least pretentious and most musicianly – with the exception of a few moments on "Three Fates" and perhaps "Take a Pebble," there isn't much excess, and there is a lot of impressive musicianship here. "Take a Pebble" might have passed for a Moody Blues track of the era but for the fact that none of the Moody Blues' keyboard men could solo like Keith Emerson.

Lively, ambitious, almost entirely successful debut album, made up of keyboard-dominated instrumentals ("The Barbarian," "Three Fates") and romantic ballads ("Lucky Man") showcasing all three members' very daunting talents. This album, which reached the Top 20 in America and got to number four in England, showcased the group at its least pretentious and most musicianly – with the exception of a few moments on "Three Fates" and perhaps "Take a Pebble," there isn't much excess, and there is a lot of impressive musicianship here. "Take a Pebble" might have passed for a Moody Blues track of the era but for the fact that none of the Moody Blues' keyboard men could solo like Keith Emerson.

Lively, ambitious, almost entirely successful debut album, made up of keyboard-dominated instrumentals ("The Barbarian," "Three Fates") and romantic ballads ("Lucky Man") showcasing all three members' very daunting talents. This album, which reached the Top 20 in America and got to number four in England, showcased the group at its least pretentious and most musicianly – with the exception of a few moments on "Three Fates" and perhaps "Take a Pebble," there isn't much excess, and there is a lot of impressive musicianship here. "Take a Pebble" might have passed for a Moody Blues track of the era but for the fact that none of the Moody Blues' keyboard men could solo like Keith Emerson.