Emerson Lake Anthology

The show captured on King Biscuit Flower Hour (In Concert) (1996) was recorded circa Greg Lake's 1981 self-titled debut, and features Lake (guitar/bass/vocals) leading an impressive backing combo with Gary Moore (guitar), Ted McKenna (drums), Tommy Eyre (keyboards), and Tristian Margetts (bass). The set originated as a King Biscuit Flower Hour broadcast from the Hammersmith Odeon in London on November 5, 1981. During this time, Lake was on an extended hiatus from Emerson, Lake and Palmer (ELP), and issued a pair of solo efforts…

The show captured on King Biscuit Flower Hour (In Concert) (1996) was recorded circa Greg Lake's 1981 self-titled debut, and features Lake (guitar/bass/vocals) leading an impressive backing combo with Gary Moore (guitar), Ted McKenna (drums), Tommy Eyre (keyboards), and Tristian Margetts (bass). The set originated as a King Biscuit Flower Hour broadcast from the Hammersmith Odeon in London on November 5, 1981. During this time, Lake was on an extended hiatus from Emerson, Lake and Palmer (ELP), and issued a pair of solo efforts. As such, the play list is heavy on Greg Lake(1981) material from the first of these.

Esoteric Recordings are pleased to announce the release of a new 2CD anthology celebrating the British rock band Widowmaker. Formed in 1975 by former Mott the Hoople and Spooky Tooth guitarist Luther Grosvenor, also known as Ariel Bender. The original line-up of the band featured vocalist Steve Ellis (ex-Love Affair & Ellis), guitarist Huw Lloyd-Langton (ex-Hawkwind), Australian bassist Bob Daisley (ex-Chicken Shack) and drummer Paul Nicholls who had previously been a member of Lindisfarne. A few months after they had begun rehearsing at Emerson, Lake & Palmer's Manticore Studios in London, Widowmaker signed to Don Arden's Jet Records label.

Despite their dated white polyester clothes and androgynous makeup, Angel had surprising talent and range for a group whose initial purpose was to be some sort of divine answer to Kiss. That being said, their sound was far from original and was highly derivative of other top acts of the time, including Kiss themselves…

Long before ex-Twisted Sister vocalist Dee Snider fronted a short-lived heavy metal band named Widowmaker in the early '90s, there was another band called Widowmaker, a British-based one that was active for an even shorter spell during the mid-'70s…

The fourth album by Procol Harum was released as the band was in the midst of a significant shift. With the departure of organist Matthew Fisher, guitarist Robin Trower stepped more to the fore. The two-keyboard approach was still being utilized, with singer Gary Brooker's piano being joined on some selections by the organ playing of multi-instrumentalist Chris Copping. However, the stately grandeur that had been previously applied with grace and subtlety gave way to a band that rocked much harder…

Despite the departure of organist Matthew Fisher, Procol Harum survived, and this album is ample proof. Fisher was one of the prime architects of the Harum sound, and his work on such classics as "Shine on Brightly" and, of course, "Whiter Shade of Pale" underline that. Procol continued as a four-piece, and it was indeed a good thing that they decided not to replace Fisher…