Accomplice Two shares the same exuberance, diversity, and sense of adventure as the first album, with a great range of artists. This album features rock legends Michael McDonald, Jorma Kaukonen, and Little Feat; bluegrass superstars such as Billy Strings, The Del McCoury Band, Sam Bush, Jerry Douglas, Sierra Hull, and David Grisman; country icons such as Nitty Gritty Dirt Band, Jamey Johnson, and Raul Malo; and guitar heavyweights like Yasmin Williams, Larry Campbell, and Richard Smith.
Flautist Emmanuel Pahud and pianist Eric Le Sage play arrangements of short pieces and songs by four German composers of the mid-19th century: Robert Schumann and his wife Clara (born Clara Wieck), and Felix Mendelssohn and his sister Fanny.
For his debut on Warner Classics, Samoan tenor Pene Pati matches favourite showpiece arias with rarer operatic gems in a programme of Verdi, Rossini, Donizetti, Meyerbeer, Gounod and Benjamin Godard. Pati has been called “a revelation … stunning for his generosity of voice, top notes of apparently invincible power, and alluring timbre,“ (Forum Opéra) and praised for his “gleaming, sensuous stream of sound” (San Francisco Chronicle). A singer of glowing lyricism who establishes an immediate rapport with his audience, Pati hopes that the album will leave listeners with a sense of “warmth, tenderness, and the sincerity of storytelling. To me, this is the essence of opera and the reason why I sing.” He is joined by conductor Emmanuel Villaume and the Orchestre national Bordeaux Aquitaine.
The Quatuor Voce presents Poétiques de l’instant, a long-term project and a diptych of recordings that aim to combine two of the key works in the repertory of any string quartet – the masterpieces of Debussy and Ravel – with other pieces of music and new compositions. This first instalment focuses on Debussy’s Quartet and the Quatuor Voce has enlisted a young composer, Yves Balmer, for the works that revolve around it: he has arranged the Proses lyriques song cycle and has also composed a new piece, Fragments soulevés par le vent. To record this programme, the quartet has chosen to perform alongside three exceptional artists, the soprano Jodie Devos, the flautist Juliette Hurel and the harpist Emmanuel Ceysson.
The music on this album gives rise to two intriguing questions. Firstly, are these concertos original Bachian creations? Secondly, should they be played on modern pianos. The two issues are in fact closely linked by the idea of transcription.
The music on this album gives rise to two intriguing questions. Firstly, are these concertos original Bachian creations? Secondly, should they be played on modern pianos. The two issues are in fact closely linked by the idea of transcription.
This double album, Mozart & Flute in Paris, brings together nine captivating works, all with their origins in Paris, which feature a solo flute. Emmanuel Pahud is joined by his colleagues from ‘wind supergroup’ Les Vents Français – oboist François Leleux (here also conducting the Orchestre de chambre de Paris), clarinettist Paul Meyer, bassoonist Gilbert Audin and horn-player Radovan Vlatković – and by Belgian harpist Anneleen Lenaerts.
Interweaving the Baroque era and the 20th and 21st centuries, the newest addition to Emmanuel Pahud's Warner Classics catalogue is an imaginative 2-CD collection of music for unaccompanied flute. Among the composers are Telemann, Nielsen, Honegger, Varèse, Berio, Takemitsu, Pärt, Pintscher and Widmann. "Most of the pieces are about exploring new paths," says Pahud. "The power of this music often lies in the contrast between a simple line and the most refined complexities, between a note so quiet as to be barely perceptible and the loudest, most extreme notes playable on the instrument."
Tommy Emmanuel, four-time winner of Australia's Best Guitarist Award, has helped bring the art of rock guitar down under to a higher awareness by bringing a sense of jazz improvisation into a mix that also includes blues, country, rock, classical, and Spanish music.