Emmylou Harris The Christmas Album

Emmylou Harris is an artist with the rare sort of voice that communicates an honest and firmly grounded humanity while possessing a crystalline purity that verges on the angelic. In short, she was a singer born to make a great Christmas album, and in 1979 she did just that with Light of the Stable, in which she fused the high-lonesome traditional sound she'd been exploring on Roses in the Snow and Blue Kentucky Girl with songs that honored the spiritual and emotional roots of the holiday season…

Light of the Stable is a Christmas album by Emmylou Harris. It was originally released in 1979 by Warner Bros. Records but has since gone through several intervening releases. The 1992 Warner release was a remastered version of the original with a different album cover. The latest edition was released in 2004 by Rhino Records. It contains three newly recorded tracks in addition to remastered versions of the ten original tracks…

For her 34th studio album, Anne Murray recorded a set of duets with many of her favorite female singers, from Nelly Furtado to Sarah Brightman. There are a number of country duet partners here, such as Shania Twain, Emmylou Harris, and Martina McBride, but there are even more pop-oriented women singing with Murray, encompassing the likes of Celtic Woman and Celine Dion. This makes perfect sense, as Murray's always straddled the pop-country fence effortlessly. Her singing on Duets: Friends and Legends is just as effortless. Now in her fifth decade as an active recording artist, her voice hasn't lost a beat, sounding just as pure and clear as it did on 1970s "Snowbird" (done here with a surprisingly relaxed, easy vocal from Brightman, sounding for all the world like a young Olivia Newton-John). The majority of these songs are ones which have been sizeable hits for Murray in the past, most of which work nicely recast as duets, or at least showcases for harmony singing.

In the latter half of the 20th century there were three pre-eminently influential folk/country guitar players: Merle Travis, Chet Atkins, and Arthel "Doc" Watson, a flat-picking genius from Deep Gap, North Carolina. Unlike the other two, Watson was in middle age before gaining any attention. After 1960, though, when Watson was recorded with his family and friends in Folkways' Old Time Music at Clarence Ashley's, people remained in awe of this gentle blind man who sang and picked with a pure and emotional authenticity.