Timeshift explores rarely seen images from the University of Sheffield's National Fairground Archive to ride back to the origins of the fairground. From the sideshows to the freak shows and early hand-powered rides to the arrival of steam and electricity, the story of fairs is the tale of one of our first forms of popular entertainment. The film shows how fairgrounds often provided the only entertainment to rapidly expanding industrial towns. It looks at how, from the 50s, the fairground was the site of youth rebellion and why we are still entranced by these travelling carnivals that arrive overnight and then vanish just as mysteriously.
Goat Girl - Lottie Pendlebury (she/her), Rosy Jones (they/them) and Holly Mullineaux (she/her) release their third album Below The Waste on Rough Trade Records. The album was co–produced by the band and John Spud Murphy (Lankum and black midi).
The Barking Spiders Live: 1983 is a live album by Australian rock band Cold Chisel. It was recorded during the final performances of their Last Stand tour in 1983, at the Sydney Entertainment Centre. The name of the album derives from a name the band used occasionally when playing warm-up shows before tours. Don Walker states a "barking spider" is "Scottish slang for a fart." The album spent 20 weeks in the Australian charts, peaking at number 14. Reviewed in the Canberra Times at the time of release, the album was described as, "a great reminder of the band's power and talent, particularly in concert, and a crucial purchase for all Chisel fans."
Goat Girl - Lottie Pendlebury (she/her), Rosy Jones (they/them) and Holly Mullineaux (she/her) release their third album Below The Waste on Rough Trade Records. The album was co–produced by the band and John Spud Murphy (Lankum and black midi).