David Gilmour sang about an endless river on "High Hopes," the last song on what appeared to be the last Pink Floyd album, 1994's Division Bell. Twenty years later, the same phrase became the title of The Endless River, an album designed as Pink Floyd's last. Assembled largely from Division Bell outtakes initially intended as an ambient project dubbed The Big Spliff, the record was sculpted into shape in 2014 by Gilmour, Youth, Andy Jackson, and Roxy Music's Phil Manzanera by adding guitar and Nick Mason's drums to original tapes that were laden with keyboards from the late Rick Wright. He's not the only missing member of Floyd, of course. Roger Waters is absent, as is the long-gone Syd Barrett, but their ghosts are present throughout the primarily instrumental The Endless River.
As iconic in 2014 for her timeless beauty and stage appeal as she is for her artistic versatility, Freda Payne remains among music’s and show business’ brightest shining star survivors. Her latest album, Come Back To Me Love (her first for the Artistry Music imprint) marks not only a return to the big band and stringsladen classics from her mid-`60s beginnings with Impulse! but also marks a return to her hometown of Detroit. That makes this 14-song album featuring Grammy® award-winner Bill Cunliffe’s musical arrangements—from the vibes-kissed Kenny Rankin waltz “Haven’t We Met” to the lonely evening fireplace musings of “Lately”—a beautiful homecoming.
Emotional Rescue and Woo once again come together, this time to reissue their masterpiece, the previously cassette-only album Into The Heart Of Love. A joyous, uplifting ode to love in all it’s forms, the trials and tribulations and ultimately the triumphs are all encapsulted in Woo’s unique soundscapes.