One of Ennio Morricone's more obscure soundtracks was made for the 1968 movie Danger Diabolik. Even many Morricone fans have never heard it, and it wasn't even all that easy to find. That's unfortunate, as it's an impressive work, not to mention one of his most maniacal.
One of the most memorable scores by Ennio Morricone in the late sixties is back in its definitive edition! Although best known for his collaborations with other directors (Sergio Leone, Pier Paolo Pasolini, Giuseppe Tornatore, Brian de Palma), the name of Ennio Morricone was asociated with Mauro Bolognini in a total of fifteen films over more than three decades, including some of his most famous and melodic works (Metello, L’Eredita Ferramonti, La Villa Dei Venerdi, Fatti di Gente Perbene, etc). L’Assoluto Naturale is one of his most celebrated collaborations, with a main theme that became immediately an absolute classic. The album was released on LP by Cinevox in 1969, and reissued on CD several times in Italy and Japan. We are very proud to release the score in complete form for the first time, with a very improved sound mastered by Claudio Fuiano and Dániel Winkler from the first generation master tapes, courtesy of Cinevox.
2008 fifteen CD set, the most complete anthology ever from the Italian master composer, released to coincide with the maestro's 80th birthday. This 15 disc set includes only original versions of his best works grouped into seven different categories, all selected by Morricone himself. The discs include: Music For Cinema (nine CDs containing 168 of his best themes in chronological order), Music For Television (two CDs containing 38 themes), Contemporary Classical Music (one CD containing 18 tracks), Original Songs (one CD containing 18 songs he composed for well-known Pop artists), Orchestral Arrangements (one CD containing 16 of his best arrangements) and Hit Song Arrangements (one CD containing 16 Pop hits he arranged in the '60s for Italian artists including rarities, remixes and more).
Music from "A Fistful of Dollars", "The Missio", "Ship Hunters", "To Forget Palermo", "City of Joy", "Once Upon a Time in America", "My Name is Nobody", "Casualtes of War", "Gott Mitt Uns", "Maddallena").
Ennio Morricone is probably the most famous film composer of the 20th century. He is also one of the most prolific composers working in any medium. No exact figure is available, but he's scored over 500 films over several decades, plus many dozens of classical works. While his film scores have been in almost every imaginable musical style (and for almost every imaginable kind of movie), he is most identified with the "spaghetti Western" style of soundtracks, which he pioneered when providing the musical backdrop for the films of director Sergio Leone…
KeepMoving Records presents the premiere release of The Demons of St. Petersburg by the legendary Ennio Morricone. Directed by Giuliano Montaldo (Sacco e Vanzetti, Giordano Bruno, Marco Polo), the film tells the fictionalized life story of Fyodor Dostoyevsky (Miki Manojlovic) who is caught up with political intrigue and a career crisis resulting from his crippling gambling debts. While trying to finish his latest novel on schedule and reveal an anarchist plot targeting the Tsar, the troubled author must fight his inner demons to move forward in life… The Demons of St. Petersburg marks the latest collaboration between Montaldo and Morricone who had scored the majority of the director's films. The key thematic material includes the propulsive anarchist theme for the assassination plot and a darkly passionate love theme for a string quartet and harp which underscores Dostoyevsky's troubled relationship with his stenographist, Anna.
The Compost crew gets their hands on Ennio Morricone for some major remix efforts. On Remixes Vol. 1, International Pony kicks things off with a silly homage ditty, but Alex Attias and Swell Session quickly get things into house territory with their mixes. If you've ever wanted to dance to the harmonica of "Il Buono, Il Brutto, Il Cattivo," now's your chance! And, as expected, Hakan Lidbo goes tech-house blippy on "Alla Serenita." Leroy Hanghofer brings some bright, ringing tones to "Beat N. 3," while Needs offers "Amore Come Dolore" some mellow jazz. Kabuki puts some speedy breaks to "Dal Mare," and the Butti 49 give "Rivoluzione" an Afro-jazz vibe…