Eric Burdon & The Animals – Inside Out (comp. 1993)

During their first two years of recording, the Animals had never quite succeeded when it came to recording LPs - good as some of the songs on their first two albums, done for EMI, had been, there was this sense that single were what this band was really about. Then, newly signed to English Decca, they delivered Animalisms, a truly transcendent collection of a dozen songs, mostly superb covers interspersed with some good originals, principally by Eric Burdon and Dave Rowberry. Burdon was never singing better and the group had developed a bold, tight sound that seemed to lift his soul shouting to ever higher levels of passion and conviction. "Outcast," "Maudie," "You're on My Mind," "Clapping," "That's All I Am to You," "Squeeze Her - Tease Her," "I Put a Spell on You," "She'll Return It," and "Gin House Blues" all rate among the best work the band ever did, passionate, gorgeous, and exciting R&B down to the last note…

During their first two years of recording, the Animals had never quite succeeded when it came to recording LPs - good as some of the songs on their first two albums, done for EMI, had been, there was this sense that single were what this band was really about. Then, newly signed to English Decca, they delivered Animalisms, a truly transcendent collection of a dozen songs, mostly superb covers interspersed with some good originals, principally by Eric Burdon and Dave Rowberry. Burdon was never singing better and the group had developed a bold, tight sound that seemed to lift his soul shouting to ever higher levels of passion and conviction. "Outcast," "Maudie," "You're on My Mind," "Clapping," "That's All I Am to You," "Squeeze Her - Tease Her," "I Put a Spell on You," "She'll Return It," and "Gin House Blues" all rate among the best work the band ever did, passionate, gorgeous, and exciting R&B down to the last note…

Sidestepping the horrendous title, Gratefully Dead 1964-1968, it's nice to see an Animals compilation that digs a bit deeper into their catalog, album tracks, B-sides, and curios, as opposed to rehashing the same old hits ad nauseam. The first ten tracks are mainly covers of blues and R&B tunes that were staples in the early Animals repertoire circa 1964 to 1966, such as "Dimples," "Bright Lights Big City," "Talkin' 'Bout You," and "Smokestack Lightning." The remaining 11 tracks from 1967 and 1968 are credited to the second lineup of the band now called Eric Burdon & the Animals, who plunge into psychedelic blues by way of bizarre tunes such as "Gratefully Dead," "It's All Meat" (which is a sped-up "Spoonful"), "Closer to the Truth," "Year of the Guru," and "White Houses."

Of all the British acts that started messing with the blues in the early '60s, the Animals always sounded the toughest and most committed to the cause. They didn't have a genius guitarist like the Yardbirds or the Bluesbreakers, and couldn't write memorable original material like the Rolling Stones, but Eric Burdon was one of the few singers in the U.K. whose guts and ferocity approached that of his influences (without sounding like he was simply copying what he'd heard), and the tough, no-nonsense attack of guitarist Hilton Valentine, bassist Chas Chandler, and drummer John Steel drove the Animals with style and power, while keyboard man Alan Price gave the band plenty of welcome melodic flair…