In the face of the legend that he once was, it's very fashionable to dismiss Eric Burdon's '70s-and-later output as little more than an afterthought – which may or may not be true. But from the moment 1988's I Used to Be an Animal kicks into groove, it's clear that Burdon has spent the last few years doing more than kicking over old traces…
The first Varipix DVD release is the result of a collaboration with the incomparable Eric Burdon (blues vocalist extraordinaire and founder of The Animals and WAR). Director Craig Kelly (MachineHeadUSA) documents the behind-the-scenes experience as Eric Burdon performs in his hometown of Newcastle, England for the first time in over 20 years - a memorable homecoming concert and birthday celebration. "Yes, You Can Go Home" is your backstage pass for a trip back in time, to a town where Eric is the "local boy who makes good" and everybody knows and loves him.
In the face of the legend that he once was, it's very fashionable to dismiss Eric Burdon's '70s-and-later output as little more than an afterthought – which may or may not be true. But from the moment 1988's I Used to Be an Animal kicks into groove, it's clear that Burdon has spent the last few years doing more than kicking over old traces. The putative soundtrack to the singer's recently published autobiography, I Used to Be an Animal chases that band's career through its own chops and changes, pitfalls and high points, but without ever actually looking back. Situations and ambitions are recalled, to be sure. But the ice-sharp production and soaring, anthemic attack merges memory with modernity, to produce an album that still turns unsuspecting heads around – "what is that you're playing?" The sharpest shock, of course, is the opening title track, a brittle slice of late-'80s funk rap that manages to blend themes as diverse as the Who's "Baba O'Riley," Disco Tex's "Get Dancing," and Falco's "Das Kommissar," and still comes up sassy and fresh.
Of the first run of British bands who rose to fame in the wake of the Beatles breaking through in America, none were tougher and more forbidding than the Animals. They were also one of the first English acts to break internationally while aligning themselves with the blues. While the Rolling Stones were steeped in that genre, it would take them years to summon the sort of menace that the Animals delivered on their second single, 1964's "House of the Rising Sun." The band moved into a more pop-oriented direction over the next two years without stripping songs like "Don't Let Me Be Misunderstood," "We Gotta Get Out of This Place," and "It's My Life" of their passion and intensity. Vocalist Eric Burdon would take the Animals into a more adventurous, psychedelic-infused direction after the dissolution of the original lineup in 1966, while the songs would remain proudly uncompromised to the end of their run.