Matsui's major label debut combines everything from chamber like organ effects ("The Ruins of Sonora") to punchy sax driven pop ("Mountain Shakedown") to orchestral film score sweeps ("The Gate") in expanding her palette further beyond Eastern sounds. Poetic, image laden pieces dominate, but her chops as a keyboardist are tested on more exotic solos. It's another all star affair, with Eric Marienthal, Brandon Fields, Robben Ford, Abe Laboriel, Paul Jackson, Jr. and Grant Geissman pushing Matsui into the big leagues of pop jazz. There's even a slight Latin excursion. The vocals this time are handled by Howard Smith and Phyllis St. James.
On his brand-new sophomore release, Fusiolicious, Turkish Cypriot bassist Oytun Ersan has an all-star band on hand to present seven cooking original tunes! The music is expertly executed on an intriguing blend of electric and acoustic instruments, featuring giants of jazz fusion, including drummer Dave Weckl, saxophonist Eric Marienthal, keyboardists Gary Husband and Gerry Etkins, guitarists Brett Garsed, Okan Ersan and Mike Miller and violinist Karen Briggs.
The second album of Elektric Band, "Light Years" is more funk-oriented than its predecessor. Saxophonist Eric Marienthal joins the band and Frank Gambale replaces Henderson and Rios (who plays still on some tracks) to form what is considered the band's definitive lineup.
"After a highly impressive debut album and a stylistically simpler sophomore release, the Chick Corea Elektric Band proceeded to produce an album that was musically more advanced than anything they had accomplished before. The result, Eye of the Beholder, is arguably the best record the band produced in their seven-year existence. With saxophonist Eric Marienthal and guitarist Frank Gambale on board to enhance the core trio of Corea, Dave Weckl (drums) and John Patitucci (bass), Eye is the perfect balance of the group's stunning technical chops, musical artistry and technological wizardry."
The least enviable aspect of being a successful artist in this genre is no doubt trying to meet three sets of expectations. First, there's the ongoing desire to evolve disc to disc and challenge oneself creatively. Then, there's heeding the criticism of purists and cynics who may hold a kernel of truth when they say your music's a little lightweight. And finally, the matter of not straying too far from everything that's proved magical and successful in the past, lest you alienate your precious supporters. How to strike a balance between all three? Ask Gregg Karukas, whose melodic touch and diverse sense of style have bound him from first generation Rippingtons circa 1987 to one of this decade's most popular performers.
This double CD is most notable for its second half which has a strong outing from Chick Corea's Elektric Band, his pacesetting fusion band with guitarist Frank Gambale, altoist Eric Marienthal, bassist John Patitucci and drummer Dave Weckl. The first CD is of lesser interest since it contains three routine vocals by Diane Schuur and some dull R&B jams with guitarist Lee Ritenour, keyboardist Dave Grusin and saxophonist Tom Scott. This set is worth buying for Corea's contributions if seen at a budget price.
David Garfield, the guiding light for the jazz-fusion band Karizma, unveils Jazz: Outside the Box on March 23, 2018. He’s not one to stand still as he’s an in-demand player, and has been musical director for George Benson, as well as a solo star in his own right.
This very attractive five-CD set does an excellent job of summing up the rather productive career of pianist-keyboardist Chick Corea. The first two discs have highlights from the 1964-1982 period including a few sideman appearances, a previously unissued version of "Windows" played with Stan Getz, the original version of "Spain," four pieces from the Return to Forever days, and numbers from his freelance projects of the late '70s (highlighted by the exciting "Central Park"). The third disc concentrates on Corea's GRP projects (1986-1994), particularly his Elektric and Akoustic Bands (two selections were previously unissued), while the fourth CD is quite a grab-bag that includes collaborations with Herbie Hancock (a version of "Liza" that progresses from stride to free), Gayle Moran, John McLaughlin, Paco DeLucia, Gary Burton, Bobby McFerrin, and Miles Davis (a new duet version of "I Fall in Love So Easily" from 1969).