In 1991, Eric decided to call upon two musicians whom he had always wanted to work with, Jeff Lorber and Russell Ferrante of the Yellowjackets, to write with and produce his “Oasis” CD. It ended up being a great collaboration and one of Eric's most successful records. It made it into the top 5 on the Billboard Contemporary Jazz Charts and 2 of the tunes made it into the top 10 of the National Contemporary Jazz Radio Charts. Eric went on to record two more records for GRP; “One Touch” and “Street Dance”, both produced by Jeff Lorber.
Jeff Lorber shows us this magnificent production with a star of the saxophone as is Eric Marienthal. A fresh, powerful and dynamic cd with excellent arrangements. A cd with lot of life. Marienthal always intense and the recording is enriched with the vocal participation of Leroy Ousborne, Eric Jordan and Jeff Pescetto, Super singers.
As he was developing his formidable career in the early era of smooth jazz, the saxman proved an invaluable sideman of Chick Corea's Elektric Band, David Benoit's touring ensemble and a studio player for projects by such artists as Keiko Matsui and Mike Garson. Yet as a solo artist, he spent his first three albums searching for an identity that ranged from pop (Round Trip) to electronic mainstream jazz (Crossroads). With Oasis, his search came to a diverse, exciting, and highly enjoyable end. Marienthal applies his stellar blowing techniquest to styles ranging from folk to gospel, but the overall attitude he conveys is sweet and soulful R&B, as in the hoppin' grooves of the funky opening tracks "Hustlin'" and "Seafood to Go."
Anyone who remembers Eric Marienthal's work with Chick Corea's Elektric Band in the late '80s and early '90s knows how exciting an improviser he can be. This disc has its moments. Botti has an enjoyable spot on Stanley Turrentine's "Sugar," and "Love Don't Live Here" (one of the few tracks that isn't an instrumental) is a pleasant, if unremarkable, urban/adult contemporary item that features singer Deniece Williams. Also noteworthy is Lorber's funky "Hangin' on the Sidewalk," which finds Ford taking a gritty guitar solo.
Eric Marienthal has always had limitless potential. Primarily known as an altoist but also an excellent player on tenor and soprano, Marienthal came to fame with Chick Corea's Elektric Band and tends to sound at his best when teamed with players of that caliber. Many of his own projects suffer from overproduction, a lack of spontaneity and commercial material, but that is not true of Crossroads. In groups ranging from quartets to sextets, Marienthal is challenged by the material (all group originals), matching wits with the likes of keyboardist Russell Ferrante (from the Yellowjackets), bassist John Patitucci and, on three selections, Chick Corea. Crossroads contains some of Eric Marienthal's finest playing outside of the context of the Elektric Band.
Saxophonist Eric Marienthal is among contemporary jazz's busiest talents. On the day that It's Love was released, Marienthal also played a starring role on the Jeff Lorber Fusion entry Galaxy. The two albums reflect Marienthal's varied talents, as both a creative improviser and a lover of groove-oriented popular music. It's Love was produced by guitarist Chuck Loeb, who also appears throughout the set. Also in this studio band are Yellowjackets' keyboardist Russell Ferrante, drummer Gary Novak, and bassist Tim Lefebvre.
“The duo of multi-GRAMMY Award winners Randy Brecker and Eric Marienthal blurs the boundaries between traditional and contemporary jazz on Double Dealin’. While the trumpeter/flugelhornist and the saxophonist have played together in the past, this is their first co-led recording. It features ten thrilling original tracks as well as keyboardist George Whitty, bassist John Patitucci and drummer Dave Weckl.”
Inside Out is an album by the Chick Corea Elektric Band, released in 1990 through the record label GRP. The album peaked at number six on Billboard's Top Contemporary Jazz Albums chart.