Eric Rohmer Integral

Die Marquise von O… / La marquise d'O - by Eric Rohmer (1976)

During the attack on an Italian town by Russian forces, the Marquise of O., the daughter of the colonel in charge of the defence, is attacked by a group of Russian soldiers. A Russian Count comes to her rescue, and falls in love with her. While he is away, she discovers that she is pregnant, though she cannot explain how that happened. Her father repudiates her, and she has to reject the Count while trying to find out who the father of her child is.

Le beau mariage - by Eric Rohmer (1982)

Étudiante en histoire de l'Art, Sabine rompt avec son amant Simon, un homme marié, père de deux enfants, et lui annonce qu'elle aussi va se marier. Elle ne sait pas encore avec qui : elle en a seulement arrêté le principe. Lors d'un mariage, son amie Clarisse lui présente son cousin, un avocat « beau, jeune, riche… et libre ». Sabine décide que celui-là sera son mari, de gré ou de force…

Occasionally out of the blue skies comes an album that can truly be anointed as a progression , beyond the valleys of symphonic, through the dense forests of experimental and over the mighty Italian RPI peaks. Celebrated multi-instrumentalist and prolific maestro bassist Fabio Zuffanti (having a glorious recent past with the legendary Finisterre , the heady La Maschera di Cera, the pastoral Histsonaten, folky Aries, experimental Zaal and La Zona, to name just a few) has outdone himself with this supremely evocative and original offering. Firstly beyond the vivid green artwork that glorifies the music even more, the amalgamation of keyboardists Agostino Macor (the next Wakeman/Emerson in my opinion) and Boris Valle has only managed to make us prog fans fantasize even further over ivory pleasures, with colossal use of piano and mellotron throughout the wheezing, highly cinematographic arrangements. ..

As he preps his fourth album, Eric Church pays tribute to the time-honored tradition of releasing a live album while the iron is hot. And so there's Caught in the Act: Live, a 17-track set recorded at the Tivoli Theatre in Chattanooga, Tennessee as he supported his career-making 2011 record Chief. In concert, Church is brawnier than he is in the studio – witness "Creepin," where such subtle production tricks as backward guitars are stripped away so it just barrels by on drums and guitars – but this isn't a bad thing, as macho swagger is integral to his appeal.

As he preps his fourth album, Eric Church pays tribute to the time-honored tradition of releasing a live album while the iron is hot. And so there's Caught in the Act: Live, a 17-track set recorded at the Tivoli Theatre in Chattanooga, Tennessee as he supported his career-making 2011 record Chief. In concert, Church is brawnier than he is in the studio – witness "Creepin," where such subtle production tricks as backward guitars are stripped away so it just barrels by on drums and guitars – but this isn't a bad thing, as macho swagger is integral to his appeal.