Eric Sardin

A compendium of Eric Bibb's best recordings from the past decade. 50 tracks, 3 CD's, three hours and twenty minutes of outstanding music. Considering the high level of quality that any Eric Bibb album has, one can imagine how exciting a collection of his favourite tunes, recorded between 2003 and 2013, would be! Here it is - The crown jewels indeed! As a bonus, Bibb re-recorded three especially cherished songs : a brilliant conclusion to the third CD.
New York singer/songwriter and guitarist at the forefront of the 1990s country-blues revival.
Eric Bibb is an American roots music singer, songwriter, and guitarist whose sound exists at the crossroads of Delta blues, American folk, pre-war gospel, and retro-soul…

Eric Gales was already guitar wiz at 16 years old in 1991 when his debut album appeared from Elektra Records, and his immense skill and talent have certainly not diminished since. This set, released by Cleopatra Records and produced by Raphael Saadiq, is vintage blues-rock and features guest spots from Eric Johnson and Zakk Wylde.

The complete long unavailable concert by Charles Mingus and Eric Dolphy at the Salle Wagram, in Paris, for the first time ever on a single collection. As a bonus, we have added the two complete sets by the Chico Hamilton Quintet with Dolphy at Newport '58, including an extended previously unissued version of "Pottsville U.S.A." on which Dolphy plays a long solo on alto sax.

Eric Andersen got his start as a singer/songwriter just about the time the folk revival went bust in the mid-'60s, when the phrase "singer/songwriter" wasn't familiar, as it is today. Now, some 40 years later, Andersen continues to follow his muse, which includes a deep investment in the blues on the live Blue Rain. Andersen's voice seems to have grown richer and has developed more texture over the span of time, something that rarely happens to rock singers; as a result, his readings of familiar lyrics carry more weight. He kicks off the set with a slow, menacing version of Fred Neil's "The Other Side of This Life." For folk fans, the song is overly familiar, but Andersen's vocal provides a darker underpinning than the usual, adding a new dimension to this well-worn classic.

Beat Avenue is 60-year-old Eric Andersen's most ambitious album, a 90-minute tour de force that encapsulates his musical and lyrical concerns over a lifetime. The music is often-dense rock dominated by a rhythm section led by guitarist Eric Bazilian of the Hooters. Equally dense is Andersen's highly poetic versifying, which he sings in his gruff baritone. Andersen is world-weary in these songs, roaming the globe haunted by the past and fearful of the future. He confesses to a reckless youth, but acknowledges that he can no longer afford such license. "What once was Charles Bukowski," he sings in "Before Everything Changed," referring to the free-living beat poet, "is now Emily Dickinson." The ballads and love songs "Song of You and Me," "Shape of a Broken Heart," "Under the Shadows," and "Still Looking for You" are rendered tenderly, but they are also full of regret and loss, past-tense reflections that recount memories of love long gone. The first disc of Beat Avenue is complete and formidable unto itself, but there is a second CD consisting of two lengthy songs. The title track, running more than 26 minutes, is a beat poem with jazzy accompaniment by Robert Aaron in which Andersen recalls a poetry reading he attended as a 20-year-old on the day President Kennedy was assassinated.

Grammy-winning composer Eric Whitacre is releasing a brand new album with world-renowned VOCES8 - his `dream vocal group' - for the first time. With Eric conducting throughout, it includes a world premiere recording of his new piece, All Seems Beautiful to Me, as well as a new recording of one of his most popular pieces - The Seal Lullaby. The album also features the 12-movement cantata, The Sacred Veil, with text by Eric's long-time friend and collaborator, Charles Anthony (Tony) Silvestri.

Eric Clapton’s lifelong passion for the blues burns brightly inNothing But The Blues. The CD of the soundtrack features 17 previously unreleased live performances recorded in 1994 during the legendary guitarist’s tour supportingFrom The Cradle, his GrammyÒ-winning, multi-platinum blues album. Clapton’s longtime co-producer, Simon Climie, has remixed the audio from those performances from the original multi-tracking recordings. -The previously unreleased live performances onNothing But the Bluesserve as a vital counterpart toFrom The Cradle, which was recorded in the studio. While several songs appear on both (“Motherless Child,” “Standing ’Round Crying,” and “I’m Tore Down”), the performances are entirely different. The release also includes songs that did not appear onFrom the Cradle, including Jimmy Rogers’ “Blues All Day Long” and Robert Johnson’s “Malted Milk,” as well as the standards “Every Day I Have The Blues” and “Forty-Four.”

A rare find for fans of this acclaimed guitarist/songwriter, Seven Worlds is the long-lost solo debut from Eric Johnson. Cut in the late '70s, this album is far more than a promising collection of demos; it's a full length, fully-produced album that showcases all of Johnson's awesome talent – not only as a guitar virtuoso, but as a talented pop/rock songwriter. Tunes such as "Showdown" clearly indicate the talent that Johnson had, even at this early stage. A classy false start to a great career, and a must for fans of Eric Johnson.

Laserlight's 2001 release With the Yardbirds & Jimmy Page, is another reissue that pairs early live Yardbirds recordings with the 1965 jam session credited to the Immediate All Stars (featuring Clapton, Jimmy Page, Bill Wyman, Ian Stuart, and Mick Jagger).