Erich Leinsdorf Classic Hits And Rarities

Bonnie Tyler needs little introduction: from the late 1970s to the late 1980s, she was one of the most popular British singers with a truly unique and amazing voice, a string of classic hits and a legion of fans. REMIXES AND RARITIES is a new compilation devoted to the hard-to-find tracks scattered across Bonnie's prolific career, from her earliest recordings for RCA in the late Seventies to her time with Hansa in the early Nineties, including many overlooked non-album tracks. Released with the blessing of Bonnie's management, Remixes And Rarities includes several highly collectable tracks which were only issued in South America or Japan; numerous tracks which have never graced CD before; and others which are long-out-of-print.

A whole piano revolution was launched in the west (meaning USA) in October and early November 1960. Richter had arrived. He came and conquered. Both in Chicago, where RCA recorded the Brahms Piano Concerto No 2 and New York, where he launched his career outside Russia with performances, not of the usual piano career intros of Tchaikovsky or Grieg, but a bunch of Beethoven Piano Sonatas…

Every major conductor, and most not-so-major ones, comes around to recording Eine kleine Nachtmusik, but not so many do it as well as George Szell and the Cleveland Orchestra strings. And let’s face it, you won’t find a period-instrument ensemble that plays with anything like this level of polish. The fact is, Szell’s conception of Mozart was not terribly far from “period” sensibilities: restrained use of vibrato, incisive rhythms, crisp ensemble, lively tempos, but also a welcome degree of warmth to the sound and of course incredible ensemble discipline and some of the best players on the planet. And he had real period instruments, meaning performers who owned top quality old violins and bows, not inferior modern reproductions of them. The result is as lovely a performance of Mozart’s perennially delicious Serenade as we are ever likely to hear.