Eskimo Woman Feel Cold (1984) János Xantus, Béláné Csóka, László Földes, Carol Harrison

The Concert for Bangladesh was the first benefit concert of its kind, in that it brought together an extraordinary assemblage of major artists collaborating for a common humanitarian cause, setting the precedent that music could be used to serve a higher cause. Bob Dylan, Ravi Shankar, Eric Clapton, Ringo Starr, Billy Preston and Leon Russell all took part. The concert sold out Madison Square Garden and along with the Grammy award-winning triple-album boxset, and the feature film, has generated millions of dollars for UNICEF and raised awareness for the organization around the world…

Stevie Ray Vaughan's second album, Couldn't Stand the Weather, pretty much did everything a second album should do: it confirmed that the acclaimed debut was no fluke, while matching, if not bettering, the sales of its predecessor, thereby cementing Vaughan's status as a giant of modern blues. So why does it feel like a letdown? Perhaps because it simply offers more of the same, all the while relying heavily on covers. Of the eight songs, half are covers, while two of his four originals are instrumentals – not necessarily a bad thing, but it gives the impression that Vaughan threw the album together in a rush, even if he didn't. Nevertheless, Couldn't Stand the Weather feels a bit like a holding pattern, since there's no elaboration on Double Trouble's core sound and no great strides forward, whether it's in Vaughan's songwriting or musicianship.

Foreigner is the self-titled debut studio album by British-American rock band Foreigner, released in 1977. It spun off a barrage of hit singles, including "Feels Like the First Time", "Cold as Ice" and "Long, Long Way from Home". It also features album tracks such as "Headknocker" and "Starrider", the latter of which features a rare lead vocal from lead guitarist and co-founder Mick Jones. The first attempt at mixing the album was done at Sarm Studios, London, but dissatisfied with result the album was re-mixed at Atlantic Recording Studios by Mick Jones and Jimmy Douglass.

The Ladies And The Babies (1984). Frankie Lee's debut album, The Ladies and the Babies, was one of the first contemporary blues albums to successfully negotiate the territory between post-Bobby Bland blues and southern soul. As one of the first albums on HighTone Records, the album helped set the stage for the numerous records and artists that teetered between soul and blues. To Lee's immense credit, he achieved this balance quite skillfully, thanks to solid songs, tight arrangements and powerful vocalists. He followed the record with several others quite like it, but none matched the energy or quality of The Ladies and the Babies…

Various Artists - That's The Way I Feel Now: A Tribute To Thelonious Monk (1984) {A&M Records CD 6600}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 359 Mb | MP3 @320 -> 162 Mb
Full Artwork @ 300 dpi (jpg) -> 25 Mb | 5% repair rar
© 1984, 1991 A&M Records | CD 6600 | Audio Master Plus Series
Jazz / Post Bop / Progressive Jazz / Modern Jazz / Jazz Funk / Prog Rock / Soul / Soft Rock

Two years after the death of pianist-composer Thelonious Monk, this very unusual and quite memorable double-LP tribute was put together. Producer Hal Willner's most successful project, the 23 interpretations of Monk originals all feature a different group of all-star players and stretch beyond jazz. Some of the performances are fairly straightforward while others are quite eccentric; certainly the crazy duet on "Four in One" by altoist Gary Windo and Todd Rundgren (on synthesizers and drum machines) and the version of "Shuffle Boil" featuring John Zorn on game calls (imitating the sound of ducks) are quite unique. There are many colorful moments throughout the project and the roster of musicians is remarkable: Bobby McFerrin with Bob Dorough, Peter Frampton, Joe Jackson, Steve Lacy, Dr. John, Gil Evans, Randy Weston, Roswell Rudd, Eugene Chadbourne and Shockabilly, the Fowler Brothers, NRBQ, Steve Khan, Carla Bley, Barry Harris, Was (Not Was) and many others. There is not a slow moment or uninteresting selection on this highly recommended set.

Stevie Ray Vaughan's second album, Couldn't Stand the Weather, pretty much did everything a second album should do: it confirmed that the acclaimed debut was no fluke, while matching, if not bettering, the sales of its predecessor, thereby cementing Vaughan's status as a giant of modern blues. So why does it feel like a letdown? Perhaps because it simply offers more of the same, all the while relying heavily on covers. Of the eight songs, half are covers, while two of his four originals are instrumentals – not necessarily a bad thing, but it gives the impression that Vaughan threw the album together in a rush, even if he didn't. Nevertheless, Couldn't Stand the Weather feels a bit like a holding pattern, since there's no elaboration on Double Trouble's core sound and no great strides forward, whether it's in Vaughan's songwriting or musicianship.