"Alpha" is the second album by the "supergroup", and once again comprises entirely of shorter, more commercially orientated songs than those of the members' previous groups. The album is very much a follow on from the band's debut album, but benefits from the famous four knowing each other that bit better, and thus working more cohesively together…
Argentinean bandoneonist-composer-improviser Dino Saluzzi returns to his roots with El Valle de la Infancia. Recorded at Saluzzi Music Studios in Buenos Aires, it’s the first of his discs to feature his “family band” since 2005’s Juan Condori. Here Dino is heard with his brother Felix on tenor sax and clarinet, his son José María on guitars, and nephew Matías on basses.
Released in 1985, Astra is Asia's third studio album and first without guitarist Steve Howe. While somewhat unfairly regarded in comparison to Asia's first two albums, Astra is nonetheless a solid prog rock outing that finds bassist/vocalist John Wetton, keyboardist Geoff Downes, drummer Carl Palmer, and replacement guitarist, Krokus' Mandy Meyer, delivering a set of melodic and driving rock anthems…
It is with much pleasure that Glossa is able to announce the release of a further new recording featuring the marvellous vocal talents of that queen of Baroque music, Roberta Invernizzi: La bella più bella. Known for her dazzling and elegant displays in the music of the later Baroque – Handel and Vivaldi come to mind, but also her Naples-related travelogue on the recent I Viaggi di Faustina – the Milanese singer has also nurtured, across her career, the more delicate and nuanced art of the Italian song repertory from the early 17th century, a time when courtly and polyphonic expression were giving way to the “moving of the emotions” by a solo singer accompanied by a single instrument. Renato Dolcini guides us through the musical evolution of this form in his illuminating booklet essay.
Coming off his Grammy-nominated 2013 album, The World According to Andy Bey, vocalist/pianist Andy Bey delivers the equally compelling 2014 release Pages from an Imaginary Life. As with its predecessor, Pages finds the jazz iconoclast returning to his roots with a set of American Popular Song standards done in a ruminative, stripped-down style. This is Bey, alone at the piano, delving deeply into the harmony, melody, and lyrics of each song. But don't let the spare setting fool you. Bey is a master of interpretation. In his seventies at the time of recording, and having performed over the years in a variety of settings from leading his own swinging vocal trio, to working with hard bop pioneer Horace Silver, to exploring the avant-garde with Archie Shepp, Bey has aged into a jazz oracle who doesn't so much perform songs as conjure them from somewhere in the mystical ether of his psyche.
Today marks the 70th birthday of one of the greatest drummers of this, or any generation; the remarkable Billy Cobham. From his earliest recordings with Horace Silver, Miles Davis and Milt Jackson, to his scintillating and seminal work with John McLaughlin's Mahavishnu Orchestra, keyboardist George Duke, and his own groups, like Culture Mix, Asere and the Spectrum 40; Cobham has thrilled audiences around the world by bringing his incomparable talents as a composer, drummer, and producer to the forefront of jazz, rock, fusion and world music. His latest effort is the eagerly awaited "Tales from the Skeleton Coast", part 3 of a series dedicated to his Panamanian parents.