Estonian Philharcred Choral Works

As Alfred Schnittke and Arvo Pärt both adopted the Orthodox faith in the 1970s, Orthodox choral traditions became increasingly prominent in their work, but both composers also looked to the music of the Western church. Schnittke’s Three Sacred Hymns set three prayers, familiar in the West as Ave Maria, the Jesus Prayer and the Lord’s Prayer, and evoke Orthodox chant. His Choir Concerto, on the other hand, draws on Russian choral music of the 19th century and the tradition of large-scale concert works based on Orthodox choral music. The texts by the medieval Armenian poet Gregory of Narek are informed by a humanistic individualism, with the poet directly expressing his emotions and often writing in the first person.

The first recordings of choral masterpieces by Britten, performed by the dedicatees and newly reissued in a unique compilation.

The first recordings of choral masterpieces by Britten, performed by the dedicatees and newly reissued in a unique compilation.

The Helsinki Chamber Choir (Helsingin kamarikuoro) was founded in 1962 as the Finnish Radio Chamber Choir and assumed its current name in 2005. It is currently Finland’s only professional chamber choir. The choir’s Artistic Director from 2005–2007 was Kimmo Hakola. Since 2007 Nils Schweckendiek has been responsible for the group's artistic planning.

One of Brahms' earliest musical jobs (besides playing piano in whorehouses) was directing a choral society. This introduced him to the music of the Renaissance and the Baroque, which sparked his antiquarian enthusiasms, in particular his first-hand encounters with the choral music of Bach. Choral music became an important part of Brahms' output – to his art, to his career (Ein deutsches Requiem propelled him to European notice), and to his income. Brahms may have directed much of his choral music to the then-lucrative amateur market, but he also produced plenty for crack choirs and without much reasonable hope for financial reward – again, Ein deutsches Requiem a good example. Like the Requiem, some of these works even became popular.

This year marks the 90th birthday of Krzysztof Penderecki (1933–2020), one of the most prominent 21st Century Polish composers. Sacred themes and texts surround the creative work of Penderecki, including many of his large-scale works. This album by the award-winning Latvian Radio Choir under Sigvards Klava consists the majority of his impressive sacred a cappella choral works from five different decades and which are mainly written in Latin. These deeply religious choral works are modern classics in choral repertoire. Recent album by the choir, featuring choral works by John Cage, received nomination for the Gramophone Awards 2023.

Neither Stefan Parkman nor Chandos could be accused of pandering to the masses in their choice of repertoire for this series of recordings by the Danish National Radio Choir. True, Reger's name may be more familiar than, say, Lidholm, Norgard, Pepping or Pizzetti (featured on previous discs), but only to the extent that the mere mention of Reger's a cappella music will send sensitive souls scurrying into the nearest Karaoke lounge. Visions of myriad notes covering the page would frighten most choirs away, but these singers are made of sterner stuff. For them complex contrapuntal structures, devious chromatic harmonies and textures so thick you need a forage knife to get through them, hold no terrors. Rather they not only weave their way through Reger's characteristically tangled scores without a moment's doubt, but illuminate the paths so clearly one hardly notices the dense musical undergrowth all around.

Petr Eben drew upon the Old Testament and sacred texts from early church fathers for his powerful sacred vocal works. Latin was his preferred language for these settings, and he favoured Gregorian chant which he used as inspiration for his weaving polyphonic lines, complex rhythms and irregular patterning. This body of work, written in the teeth of party opposition in Czechoslovakia – born a Jew, Eben became a practising Catholic – is one of the most important by a Czech composer in the twentieth-century.