Under the spell of Toni Simonen Cafe Del Mar displays once again a yearning to create and collect the most ingenious output in downtempo, still being as Innovative and relevant as ever. While featuring exclusive tracks from some of the most iconic artists of today's electro scene. It showcases new talents from all corners of the world. Dusty, Laid Back, Soulful, Organic Grooves from The Broken Orchestra new offering "Over and Over" featuring Natalie Gardiner.
Exclusive new composition from Raffaele Attanasio, "Der Himmel U-ber Berlin" beautifully played at the piano, reminiscent of Keith Jarrett finest output Downtempo Masterpiece "La Ritournelle". Composed by Sebastian Tellier and edited excluisvely by T-Mo for this album. New York City sound from Waldermar Schwartz, a heady mix of upfront modern Disco, muscular bass lines, swirling atmospherics. The Orchestral sound of Kinobe, played live with a 10 piece band, with violins and flutes…
Composer Edouard Lalo's work encompassed the period of Romanticism that witnessed the evolution of the romance de salon genre into the melodie francaise or French art song. It is an injustice of posterity that only Faure, Duparc and Debussy acquired true fame in this genre. This collection from baritone Tassis Christoyannis and pianist Jeff Cohen featuring the two scenes de salon for voice and piano, the seven romances and the 23 melodies, shows that Lalo easily stands alongside his more well-known countrymen.
An all new 8-CD Box Set from Phish's infrequent European shows. Full shows from 2/17/97, 7/1/97 and 7/2/97 at the Paradiso, Amsterdam, The Netherlands. On February 17, 1997 Phish first played Paradiso, a converted former church turned rock-club/cultural center with a capacity of about 1500. Over the next four months, Phish logged three breakthrough shows at this historic venue where the intimate setting pushed the music to new heights again and again…
This special collector's edition contains 29 remastered recordings by Clarence “Gatemouth” Brown, consisting of a selection of the magnicent early sides released between 1947 and 1960 on the Peacock and Aladdin record labels. Several of his most famous songs and enduring singles are featured on this quintessential CD, including “Dirty Work at the Crossroads,” “Midnight Hour,” “Just Before Dawn,” and “Okie Dokie Stomp,” among others. It is truly an indispensable set for any blues and R&B devotee.
His first album hit the streets in 1976 and initially its arrival caused few heads to turn. Music fans were confused; were these a bunch of punks or 1960s revivalists with a liking for Gene Clark era Byrds? Fortunately, as is so often the case, the UK seemed to 'get it' pretty soon after the record s release there and it reached #24 on the British chart. News traveled West, and a full year after the home turf release Tom Petty and the Heartbreakers entered the Billboard chart. Shortly thereafter second album You're Gonna Get It! was released, and became a hit right away. The rest, as they say, is history. But it s relatively recent history about which any number of books, films and of course superlative albums are readily available for students of this remarkable performer to delve into.
Recorded at various shows during Neil Young and Bluenote Café's 1988 tour, this superb live set documents one of Neil's most funky and heartfelt periods, featuring 7 unreleased songs - "Soul of a Woman," "Bad News Comes to Town," Ain't it the Truth," "I'm Goin'," "Crime of the Heart," "Doghouse," "Fool for Your Love," - and a searing 19+ minute version of the immortal "Tonight's the Night" at The Pier in New York City. It was a wild night. Neil Young is famous as a man who is going to do what he wants, and he's willing to pounce on a moment's inspiration and run with it if it pleases him. In 1987, Young decided he wanted to set aside rock & roll for a while and play the blues, and that's just what he did. He recruited his longtime musical partners Crazy Horse (Frank Sampedro on keys, Billy Talbot on bass, and Ralph Molina on drums), added a six-piece horn section (led by Steve Lawrence on tenor sax), and called the new band the Bluenotes, hitting the road with the new act in late 1987.