The ElectroAcoustic Ensemble was formed in 1990 as a sextet to explore the possibilities of real-time signal processing in an improvising context. and shortly became an opus magnum ensemble in the whole of Evan Parker's musical biography. Most of the CDs documenting the development of this exciting large ensemble were released by the legendary ECM label. The last time when EAE brought us its new CD titled Hasselt was nine years ago (PSI). Now, after this very long period, we proudly announce the brand new Evan Parker Electro-Acoustic Ensemble is coming! Beautifully recorded two years ago on the Warsaw-based festival Ad Libitum by Kuba Sosulski and beautifully mixed by Fil Gomez and Evan Parker himself in the middle of 2020 at Arcobarco, Ramsgate, UK. So let's listen and enjoying the ten pieces ensemble led by one of the greatest musicians in the world. Here comes WARSZAWA 2019.
The Evan Parker Trio, as always, play with the intuition and improvisatory grace that comes when skilled musicians are in tune with each other's idiosyncracies, giving Natives and Aliens a light -- almost swinging, in the old-school sense -- touch that's often missing in this brand of modern jazz
Evan Parker, Barry Guy and Paul Lytton meet in Barcelona. A trio concert in the «Auditorium» is on the agenda, the first one for months. «We hadn't seen each other for quite a while and were really looking forward to it», Barry Guy remembers. That their reunion should take place in Barcelona, was as obvious as the intention to record the evening's concert. However, nobody knew beforehand that sound engineer Ferran Conangla would hand over a glittering uncut gem at the end of the day from which a sapphire - Zafiro would develop.
Now this is a fun record that never falters in its energetic vibe or superior musicianship. Recorded at the end of a 2012 tour in the United Kingdom, Evan Christopher and the band Django a la Creole explore both popular and obscure cuts from the traditional, swing, and gypsy jazz repertoire. All the musicians here are at the top of their game…
Improvisations with Han Bennink and Derek Bailey in 1970. The monumental first release on the Incus label formed by Parker, Bailey and Tony Oxley, augmented here by nine minutes of material from the same session. The Topography of the Lungs is finally re-issued. Considered by many to be a key recording in the history of improvised music, it brought together three musicians who then continued to develop the genre in the intervening three decades: EVAN PARKER (soprano & tenor saxophones), DEREK BAILEY (guitar) and HAN BENNINK (percussion, etc). Reissue of LP 1 plus over 9 minutes of extra material from the same 1970 session.
Wow! is the only word that can be used to adequately describe the listener's first reaction to this music, all recorded at the third Synergetics festival in 1993 under the direction of British free music and saxophone god Evan Parker. Parker used familiar partners such as American trombone legend George Lewis, Korean vocal enigma Sainkho Namchylak, Marco "Bill" Vecchi, and Walter Prati on various electronics. But in addition he recruited the truly astonishing bass and vocal talents of Motoharu Yoshizawa. Carlos Mariani plays the luaaneddas, an instrument that sounds at first like the bagpipes is here enhanced by electronic looping, but is played by the use of circular breathing (in and out breath occur simultaneously).