Exploring Bach's B Minor Mass

A composition as brilliant as it is protean - the earliest sections date back to 1724, others were written in 1733 in the hope of obtaining a post in Dresden - the Mass in B minor occupied Bach until the end of his life. The work, which is more ecumenical than strictly Catholic, offers a digest of his art at its expressive peak: a world in itself. It is an understatement to say that the performers on this recording were eager to revisit it, following their acclaimed interpretations of the two Passions and the Christmas Oratorio.

A composition as brilliant as it is protean – the earliest sections date back to 1724, others were written in 1733 in the hope of obtaining a post in Dresden – the Mass in B minor occupied Bach until the end of his life. The work, which is more ecumenical than strictly Catholic, offers a digest of his art at its expressive peak: a world in itself. It is an understatement to say that the performers on this recording were eager to revisit it, following their acclaimed interpretations of the two Passions and the Christmas Oratorio.

Sometimes you come across a performance that may not be exactly to your taste, but is nonetheless so persuasive of its type that it disarms criticism. This is one. It's not quite a "one to a part" interpretation of the work, but with 10 choristers and eight strings, it is intimate, and that always risks minimizing the majesty that Bach built into the Sanctus, the eight-part Osanna, and the choruses with trumpets and drums.

25 years of La Cetra Basel! To celebrate this anniversary, La Cetra and Arcana are releasing the "greatest musical masterpiece of all time", as the work was called in the 19th century: Bach's Mass in B minor. "It is a dream come true to have recorded this work for La Cetra's 25th jubilee - the best birthday present ever!" says maestro Andrea Marcon. Under his direction, La Cetra Basel has made a name for itself in recent years with acclaimed interpretations of J. S. Bach's most important sacred works. Featuring top-flight soloists, this recording presents Andrea Marcon's particular vision for this Mass, notable for the division of voices between "concertists" and "ripienists". The sonority and character of each movement emerge from the skilfully crafted balance between solos and tuttis, creating a three-dimensional sound reminiscent of a three-manual organ. The result is a unique tonality, full of fresh nuances and colours, and no doubt very close to what Bach had imagined.

San Francisco-based early music ensemble Cantata Collective continues its major series of J S Bach's choral works with the Mass in B Minor, a towering testament of sacred music and the composer's crowning achievement of his final years. With celebrated conductor Nicholas McGegan, four of today's most distinguished early music vocal soloists and a refined chamber choir, this live recording exudes a spontaneity that reveals the depth and passion of Bach's glorious affirmation of faith.

Véritable électron libre inclassable, ce chef d’orchestre et champion de la musique de son temps a bousculé les habitudes et défrayé la chronique par ses prises de position politiques et musicales hors de la routine et des idées communes. Son rôle fut déterminant pour le développement et la propagation de la musique d’avant-garde dodécaphonique et électroacoustique. Né à Berlin en 1891, Hermann Scherchen est un autodidacte dont l’instinct musical est très développé. Très jeune, à 16 ans, il est altiste de l’orchestre Blüthner avant d’entrer au Philharmonique de Berlin jusqu’à sa rencontre avec Arnold Schönberg, auprès duquel il fait ses premières armes de chef d’orchestre lors des répétitions du Pierrot lunaire en 1912.

Véritable électron libre inclassable, ce chef d’orchestre et champion de la musique de son temps a bousculé les habitudes et défrayé la chronique par ses prises de position politiques et musicales hors de la routine et des idées communes. Son rôle fut déterminant pour le développement et la propagation de la musique d’avant-garde dodécaphonique et électroacoustique. Né à Berlin en 1891, Hermann Scherchen est un autodidacte dont l’instinct musical est très développé. Très jeune, à 16 ans, il est altiste de l’orchestre Blüthner avant d’entrer au Philharmonique de Berlin jusqu’à sa rencontre avec Arnold Schönberg, auprès duquel il fait ses premières armes de chef d’orchestre lors des répétitions du Pierrot lunaire en 1912.

A visionary synthesis of the art of a composer who, here more than anywhere else, gives meaning to the world in which he lives, and reveals to us something of what lies beyond, the Mass in B minor is one of the supreme peaks of Bach’s music.