F*** From Issue 60 61, 2015 Pdf

It is a hefty box in every sense: 13 CDs, supplemented with two DVDs, accompanied by a gorgeous hardcover book and a variety of tchotchkes, including a poster that traces the twisted family trees and time lines of the band and, just as helpfully, replicas of legal documents that explain why the group didn't retain rights to its recordings for years…

Well, it does exactly what it says on the box. The 57 tracks on this 'Magic Bus' compilation run from the late 1960s to the early 1970s, but, with remarkable perspicacity, the compiler has mixed them up very cleverly. The CDs are called 'Turn On', 'Tune In' and 'Drop Out' and the songs on each one reflect, more or less, their monikers. Thus, on CD1 Scott McKenzie rubs shoulders with Barry McGuire, CD2 is full of singer-songwriters; Dylan, Cat Stevens and the like; whilst CD3 rocks it up with Steppenwolf and Cream. What this collection is selling is nostalgia and it does it very, very well. Anyone who grew up through the years in question will remember every one of these songs and probably sing along with them too. It has to be said that there are two major omissions though, there is nothing by either The Beatles or The Rolling Stones. Down to licensing presumably. That said, this is an absolutely classic collection that has been selected with extreme care and, dare it be said, love.

Of Philip Glass' conventionally scored chamber works, his String Quartet No. 5 is probably the best-known, in part because the Kronos Quartet and the Smith Quartet have given it first-rate recordings, but also because its more traditional approach and neo-romantic feeling hold a special attraction for a broad audience. This five-movement work has Glass' characteristic patterns and pulses, at least as they developed from his hard-edged, amplified minimalism of the 1970s to softer acoustic textures over the course of the 1980s, though the music is much more melodically contoured and expressive. This 2015 release by the Carducci String Quartet adds another title to the work's growing discography, and it is a wonderful performance by musicians who have a strong sympathy for Glass' idiom. It is programmed with the Suite from Dracula, a soundtrack Glass composed for the Tod Browning film, Dracula (1931), and Michael Riesman's arrangement of the Symphony No. 4, "Heroes," here presented as the String Sextet.

Following a stream of magnificent and hugely influential albums in the early to mid-1950s, the latter part of the decade and the lead up towards his signing for Columbia Records proved a major transitional period for jazz composer and pianist Thelonious Monk.

The pieces brought together on this CD range widely, from ceremonial works associated with affairs of state to intimate compositions addressing moments of great personal significance. Two of the three pieces by Parry best exemplify this contrast: if I was glad – written for the coronation of Edward VII and premiered in chaotic circumstances – fits into the former category, ‘My soul, there is a country’ (from Songs of Farewell) – composed in the year of his death – belongs in the latter.