Paul McCartney creates a splash whenever he releases a new album, but Ringo Starr stays a bit on the sidelines, cranking out records and tours to a smaller, dedicated audience. Starr is under no delusion that he might suddenly have a Top 10 smash: he's happy to be a working musician, which is all he ever wanted to be. After all, he was a working musician before he was a Beatle, a beginning he celebrates on "Rory & the Hurricanes," the opening track of Postcards from Paradise, his 18th studio solo album. "Rory & the Hurricanes" is part of a long line of latter-day autobiographical tunes from Ringo, and that's not the only similarity Postcards from Paradise shares with the records Starr has made in the new millennium…
Max Richter’s landmark 8.5 hour work SLEEP in an abrdiged 90 min. version. The SLEEP project explores new ways for music and consciousness to interact, a “personal lullaby for a frenetic world…a manifesto for a slower pace of existence.”
Robin Taylor is quite a prolific Danish guitarist, recording and performing both as a solo artist and also leader of Taylor’s Universe since the mid 80s. Each new release contains new compositions bringing some familiarity with things past and surprises of new things to come. For this outing, From Scratch, the Universe is Robin (electric and bass guitars, keyboards, percussion, etc.), Karsten Vogel (sax and bass clarinet), Claus Bøhling (electric guitar), Thomas Thor Viderøulstrup (miniMoog), and Klaus Thrane (drums). Guests include Finn Olafsson (electric guitar), Jakob Mygind (sax), Carsten Sindvald (sax), and the voices of Jytte Lindberg, Louise Nipper, and Jan Fischer…
"Elysium" is the climax of this process so far. The artist has arrived where he always wanted to be. He himself thinks of Elysium as a "place of perfect happiness". A paradise where acoustic and electric components, triumphant rock and finely entwined jazz, delicate and pumping rhythms, guitars and keyboards, wide panoramas of rock and diaphanous carpets of sound come together in harmony. In this magical Elysium, everyone complements each other. Al Di Meola has brought together a five piece band with no bass. While he plays all the guitar parts himself, both acoustic and electric, including unbelievably fast and elegant riffs and effervescent rocking chords, three keyboard players and pianists provide shades of colour.
Lindsey Stirling brings her futurist world of electronic big beats fused with violin, dance, and animation to London s Forum Theatre. Filmed live during her Shatter Me World Tour, the 90 minute live show features her smash single Shatter Me along with several other tracks from her sophomore album which debuted at #2 on Billboard s Top 200 album chart.