Frank Zappa '88

Frank Zappa loved '50s doo wop music. He grew up with it, collected it, and it was the first kind of pop music he wrote ("Memories of El Monte," recorded by the Penguins in 1962). Cruising with Ruben & the Jets, the Mothers of Invention's fourth LP, is a collection of such music, all Zappa originals (some co-written with MOI singer Ray Collins). To the unexperienced, songs like "Cheap Thrills," "Deseri," and "Jelly Roll Gum Drop" may sound like an average doo wop song. A closer look reveals unusual chord sequences, Stravinsky quotes, and hilariously moronic lyrics - all wrapped in four-way harmony vocals and linear piano triplets. A handful of songs from the group's 1966 debut, Freak Out, were rearranged ("How Could I Be Such a Fool" and "Anyway the Wind Blows" give the weirdest results), and old material predating the Mothers was recycled ("Fountain of Love"). "Love of My Life" and "You Didn't Try to Call Me" became live staples.

The material on this album was originally was intended to be part of a four-record set called Läther, prepared for release in 1977. Then Frank Zappa got into a disagreement with his record company, Warner Bros., and Läther was split up into several different releases as part of a contractual agreement. The results were dumped on the market in 1978 and 1979, while Zappa moved on to his own record label. Sleep Dirt consists of miscellaneous tracks recorded between 1974 and 1976, including "Flambay," "Spider of Destiny," and "Time Is Money," songs that wre apparently part of an unissued Zappa musical/rock opera from 1972 called Hunchentoot. They are sung by soprano Thana Harris.

Chunga's Revenge marks the debut of Mark Volman and Howard Kaylan (among several other musicians) with the Mothers, and while their schtick has not reached the graphic proportions it later would, the thematic obsessions of the 200 Motels period are foreshadowed on tracks like "Road Ladies" and "Would You Go All the Way?" Other vocal numbers include the hard-rocking "Tell Me You Love Me," the musicians' union satire "Rudy Wants to Buy Yez a Drink," and the doo wop-influenced "Sharleena." Meanwhile, Frank Zappa's strong instrumental music incorporates Eastern European influences ("Transylvania Boogie"), cocktail jazz ("Twenty Small Cigars"), and the percussion-only "The Clap." Zappa's guitar tone is wonderfully biting and nasty throughout; George Duke provides another musical highlight by scat-singing a "drum solo"…

Frank Zappa’s ‘Over-Nite Sensation’ Turns 50 With New Super Deluxe Edition. The new five-disc edition of Zappa’s widely-acclaimed 1973 opus includes 57 previously unreleased tracks and mixes.

Studio Tan is one of four albums culled from the ill-fated 1976 box set Läther and released by Warner Bros. without Frank Zappa having a word to say about the final product (including the horrible artwork). The 21-minute opener, "The Adventures of Greggery Peccary," is the culmination of Zappa's art of storytelling. A complex piece painstakingly assembled in the studio over three years, it allies the comedy rock of the Flo & Eddie era with the jazzy feel of The Grand Wazoo and the twisted prog rock of the 1973-1974 band. Yet, it is greater than the sum of its parts, proposing an unmatched musical narrative that makes "Billy the Mountain" the work of a child and amounts to a stunning synthesis of the man's influences, stylistic range, and studio techniques…

The musically similar follow-up to the commercial breakthrough of Over-Nite Sensation, Apostrophe (') became Frank Zappa's second gold and only Top Ten album with the help of the "doggy wee-wee" jokes of "Don't Eat the Yellow Snow," Zappa's first chart single (a longer, edited version that used portions of other songs on the LP)…

Released soon after the live Roxy & Elsewhere, One Size Fits All contained more of the material premiered during the 1973-1974 tour, but this time largely re-recorded in the studio. The band remains the same: George Duke, Napoleon Murphy Brock, Chester Thompson, Tom Fowler, and Ruth Underwood. Johnny "Guitar" Watson overdubbed some vocals and Captain Beefheart (credited as Bloodshot Rollin' Red) played some harmonica ("when present," state the liner notes). The previous album focused on complex music suites. This one is more song-oriented, alternating goofy rock songs with more challenging numbers in an attempt to find a juste milieu between Over-Nite Sensation and Roxy & Elsewhere. "Inca Roads," "Florentine Pogen," "Andy," and "Sofa" all became classic tracks and live favorites…

Like its immediate predecessor, Waka/Jawaka, The Grand Wazoo was a largely instrumental jazz rock album recorded during Frank Zappa's convalescence from injuries sustained after being pushed off a concert stage. While Zappa contributes some guitar solos and occasional vocals, the focus is more on his skills as a composer and arranger. Most of the five selections supposedly form a musical representation of a story told in the liner notes about two warring musical factions, but the bottom line is that, overall, the compositions here are more memorably melodic and consistently engaging than Waka/Jawaka. The instrumentation is somewhat unique in the Zappa catalog as well, with the band more of a chamber jazz orchestra than a compact rock unit; over 20 musicians and vocalists contribute to the record…

Released in 1988, Guitar may be the most important and ironically one of the least-known entries in Frank Zappa's voluminous discography – which spans over seven-dozen LPs as of this writing. His proficiencies as a composer and instrumentalist have long been lauded. However, anthologies of this nature provide an outlet for the remarkable breadth and depth of Zappa's manual dexterity and improvisational scope, which can now be enjoyed on a myriad of levels…