Chunga's Revenge marks the debut of Mark Volman and Howard Kaylan (among several other musicians) with the Mothers, and while their schtick has not reached the graphic proportions it later would, the thematic obsessions of the 200 Motels period are foreshadowed on tracks like "Road Ladies" and "Would You Go All the Way?" Other vocal numbers include the hard-rocking "Tell Me You Love Me," the musicians' union satire "Rudy Wants to Buy Yez a Drink," and the doo wop-influenced "Sharleena." Meanwhile, Frank Zappa's strong instrumental music incorporates Eastern European influences ("Transylvania Boogie"), cocktail jazz ("Twenty Small Cigars"), and the percussion-only "The Clap." Zappa's guitar tone is wonderfully biting and nasty throughout; George Duke provides another musical highlight by scat-singing a "drum solo"…
Frank Zappa loved '50s doo wop music. He grew up with it, collected it, and it was the first kind of pop music he wrote ("Memories of El Monte," recorded by the Penguins in 1962). Cruising with Ruben & the Jets, the Mothers of Invention's fourth LP, is a collection of such music, all Zappa originals (some co-written with MOI singer Ray Collins). To the unexperienced, songs like "Cheap Thrills," "Deseri," and "Jelly Roll Gum Drop" may sound like an average doo wop song. A closer look reveals unusual chord sequences, Stravinsky quotes, and hilariously moronic lyrics - all wrapped in four-way harmony vocals and linear piano triplets. A handful of songs from the group's 1966 debut, Freak Out, were rearranged ("How Could I Be Such a Fool" and "Anyway the Wind Blows" give the weirdest results), and old material predating the Mothers was recycled ("Fountain of Love"). "Love of My Life" and "You Didn't Try to Call Me" became live staples.
Civilization Phaze III is the sixty-third album by Frank Zappa, released posthumously as a double album on October 31, 1994. It was the first studio album of new material from Zappa since 1986's Jazz from Hell. The album marks the third part of a conceptual continuity that started with We're Only in It for the Money (1968), with the second part being a re-edited version of Zappa's 1967 album Lumpy Gravy. Zappa described the album as a "two-act opera", but in lieu of traditional recitatives and arias, it alternates brief spoken word passages with musical numbers created on a Synclavier using a combination of sampled and synthesized sounds. Much of the sampled material in the second half of the album was originally recorded by Ensemble Modern and other musicians to Zappa's specifications.
Forget Black Friday, Franksgiving is the real event as today ushers in the long-awaited release of Alex Winter’s highly acclaimed documentary, ZAPPA, about the prolific genius composer, free speech activist, cultural ambassador to Czechoslovakia and legendary musician, Frank Zappa, as well as the surprise digital release of the corresponding ZAPPA Original Motion Picture Soundtrack. A perfect complement to the film, the 68-track soundtrack is available to stream and download now via Zappa Records/UMe. ZAPPA is now available in the U.S. on demand from Magnolia Pictures.
On June 18, Zappa’s historic, final American show will be released for the first time as the new live album, Zappa ’88: The Last U.S. Show via Zappa Records/UMe. The first posthumous archival release from the ‘88 touring band, the album features 29 unreleased performances including two additional performances from the same tour: Zappa’s wild interpretations of the Allman Brothers Band’s “Whipping Post” from the March 16 show in Providence, R.I. and Led Zeppelin’s “Stairway To Heaven” from the March 23 Towson, Md. show. The record is also notable for containing the first official release of the much talked about “The Beatles Medley.”