Two years after their beautiful debut, Satellite return with a second studio album. "Evening Games" was released again on Metal Mind label and became one of the most succesful rock albums in Poland. Satellite is playing a light, catchy, well studied neo-prog that seems to be their own sound. Some tiny Genesis approaches could be detected, but in general Satellite does it Poland all the way: melancolic, dreamy and windy as the harsh country winters.
The attached CD is dedicated to the latest winner of the 64th “Busoni” Prize, awarded “unanimously” after 28 years, the 24-year-old Russian pianist Arsenii Mun. On the album, the testimony of the extraordinary feat that took the pianist from the preliminaries to the final with the Haydn Orchestra of Trento and Bolzano conducted by Arvo Volmer: Bach: Choralvorspiel Nun komm der Heiden Heiland BWV 659; Haydn: Sonata in E flat major Hob. XVI: 52; Chopin: Three Mazurkas op. 6 no. 1, op. 17 no. 2 and no. 4; Ravel: Gaspard de la nuit; Rachmaninov: Rhapsody on a Theme by Paganini op. 43 for piano and orchestra.
A melodic hard rock group from Sweden, H.E.A.T materialized in 2007 with a sound built on a foundation of classic hard rock and late-'80s-inspired commercial heavy metal. They released an eponymous debut in 2008 and found success after a strong showing at the 2009 Melodifestivalen with the hit "1000 Miles." They continued to find favor with melodic rock fans both at home and abroad on subsequent outings like Tearing Down the Walls (2014) and Into the Great Unknown (2017). Three years later the band returned with H.E.A.T II, which marked a return to the heavy melodic rock of their earlier albums.
The Legendary 1979 No Nukes Concerts from Bruce Springsteen and the E Street Band were recorded at the September 1979 MUSE (Musicians United for Safe Energy) benefit concerts at Madison Square Garden in New York City. This set features 13 songs performed over two nights, that are newly remixed and remastered.
R.E.M. abandoned the enigmatic post-punk experiments of Murmur for their second album, Reckoning, returning to their garage pop origins instead. Opening with the ringing "Harborcoat," Reckoning runs through a set of ten jangle pop songs that are different not only in sound but in style from the debut. Where Murmur was enigmatic in its sound, Reckoning is clear, which doesn't necessarily mean that the songs themselves are straightforward. Michael Stipe continues to sing powerful melodies without enunciating, but the band has a propulsive kick that makes the music vital and alive. And, if anything, the songwriting is more direct and memorable than before - the interweaving melodies of "Pretty Persuasion" and the country rocker "(Don't Go Back To) Rockville" are as affecting as the melancholic dirges of "Camera" and "Time After Time"…
The ride through H.E.A.T City continues! After hymns of praise from media and fans for their latest album "Force Majeure", Swedish heirs of 80's Hard Rock H.E.A.T promise to deliver more of the same energy with their follow-up "Extra Force"! Last year's most significant change to the band's line-up is the return of original singer Kenny Leckremo – "Extra Force" for the first time includes tracks previously sung by Erik Grönwall now with Kenny on vocals. Everyone who has seen them live knows: these guys give everything on stage! The four in 2022 live recorded tracks capture the energy of their dynamic live performances.
"Into the night" is the final part of a trilogy by Poland's own Satellite, the previous parts being "A Street Between Sunrise And Sunset" (2003, the band's first album) and "Evening Games" (2005). Originally intended as a solo project by Collage's Wojtek Szadkowski, the band have rapidly evolved into one of the finest protagonists of neo-prog currently recording. Jarek Michalski takes over on bass, but the line up is otherwise unchanged. Jarek's bass playing is notable throughout the album, adding an underlying depth to the sound. The music here will appeal not just to those who enjoy the melodic power of bands such as Arena and Porcupine Tree, but also to those who favour the classic prog bands such as Yes and Pink Floyd.
In the Italian society of the early eighteenth century, the musical genre of the chamber cantata was popular as a refined form of entertainment. The chamber cantata is a relatively short composition, consisting of a couple of arias with the addition of one or two recitatives. They were performed in the private ambiances of the noble circles. A performance just needed the instruments of the basso continuo (harpsichord, cello, and if wanted for example a lute) and of course an excellent voice.
It took a few years for the members of Collage, Poland's neo-progressive rock bandwagon, to pick themselves up after the group's breakup in the mid-'90s. A Street Between Sunrise and Sunset can be considered as the group's rightful heir. Written almost completely by drummer Wojtek Szadkowski (who used to be Collage's main songwriter), the album is performed by a cast of ex-Collage musicians (some of them appearing as guests). Lead singer Robert Amirian plays the soft card, aiming for the dreamy seduction of Pendragon instead of the lung-heavy theatrics of Fish. It serves the songs right, as they tend to be on the unassertive side of things.