Futura

Radio Futura - Esencial Radio Futura (2016) [Official Digital Download] Vinyl & HR

Posted by Pisulik at Aug. 19, 2019

Radio Futura - Esencial Radio Futura (2016)
FLAC (tracks) 24-bit/44.1 kHz | Time - 127:52 minutes | 1,43 GB
Studio Master, Official Digital Download | Artwork: Front cover

Pop/rock band from Spain Radio Futura started playing in 1978 under the name of Futurama, a project created by keyboardist Herminio Molero. The band debuted in October of 1979 while performing live at Madrid's Ateneo. The following year they had the opportunity to open for Elvis Costello. After signing up to Hispavox, Música Moderna was released. In 1981, Herminio Molero decided to leave the act. Soon after, Radio Futura signed up to Ariola, issuing De Un País En Llamas in May of 1985. While becoming a three-piece act, the group moved to the U.S. in 1986, recording La Canción de Juan Perro at New York's Sigma Sound studios. On October 28 and 29, 1988, the band recorded a live album with Javier Monforte on guitar, Oscar Quezada on drums, and Pedro Navarrete on keyboards. After releasing Tierra Para Bailar in 1992, Radio Futura broke up.

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Futura - Tome 4 Comics

Posted by Mendose at March 24, 2019

Futura - Tome 4
French | CBR | 132 pages | 48.4 MB

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Futura - Volume 5 Comics

Posted by Mendose at Oct. 17, 2024

Futura - Volume 5
Italian | CBR | 16 pages | 6.85 MB

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Ted Curson - Pop Wine (1971) {Futura GER 26 rel 1998} Music

Posted by ruskaval at Jan. 5, 2020

Ted Curson - Pop Wine (1971) {Futura GER 26 rel 1998}
EAC rip (secure mode) | FLAC (tracks) +CUE+LOG -> 317 Mb | MP3 @320 -> 103 Mb
Full Artwork @ 300 dpi (jpg) -> 36 Mb | 5% repair rar
© 1971, 1998 Futura Records / Terronès | FUTURA GER 26
Jazz / Post Bop / Avant-Garde Jazz / Contemporary Jazz / Trumpet

This Futura CD issue of vanguard trumpet legend Ted Curson with the Georges Arvanitas Trio in a Paris studio is one of those very special dates where everything seems to go right. Curson is in excellent form here, whether he is playing free improvisation as on "Latin Quarter," which opens the set and is a fiery 13-minute excursion into the outer reaches of free jazz, or turning in a slightly bent but nonetheless streaming hard bop performance as he odes on the next track, "Flip Top." The Arvanitas Trio, an under-celebrated band that backed virtually every major American musician in Paris proves how well it adapts to Curson's muscular style by responding with more muscle.

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