Facing Israel Kamakawiwo'ole

“Music can be the space where people think––even just for a few minutes,” says Israel Nash. “The space is not about changing their lives or political views or their party ticket. It’s about creating something that prompts reflection in a moment––and those reflections have other chain reactions.”

"Bernstein stamps his outsize personality on every bar and regularly has you convinced it is Mahler's own" (Gramophone). Filmed on tour at Berlin's Philharmonie, this account of the valedictory Ninth Symphony is an intense interpretation, expressing Bernstein's conviction that modern man had at last caught up with the message encoded in Mahler's last completed work. Having made his famous 1966 studio recording of "Das Lied vin der Erde" in Vienna, Bernstein re-recorded this in Israel with the same searing subjectivity. René Kollo draws on the voice of a great Wagner tenor, while Christa Ludwig, the greatest exponent of the contralto songs at the time, is unbearably poignant in the final movement's fusion of elation and sadness.

Lupu’s splendid pianism thrives among the recorded competition. His port wine sonority and leonine temperament perfectly suit the red-blooded outer movements. Zubin Mehta elicits warm, vibrant playing from the responsive Israel Philharmonic. The solo items are impressively polished and refined, albeit without the dramatic tension and dynamic…

With a celebrated career encompassing five decades, Pinchas Zukerman reigns as one of today's most sought after and versatile musicians - violin and viola soloist, conductor, and chamber musician. He is renowned as a virtuoso, admired for the expressive lyricism of his playing, singular beauty of tone, and impeccable musicianship, which can be heard throughout his discography of over 100 albums for which he gained two Grammy awards and 21 nominations..

The first complete Schumann symphony cycle on disc, this set was recorded in Tel Aviv in 1956 by one of the most highly respected conductors of the post-war period. Paul Kletzki (1900-1973) brings out the fundamental strangeness and feverish excitement of Schumann's orchestral writing. His readings of these iconic works are key to understanding the path they have travelled towards the recognition they enjoy today.

Mendelssohn's Elijah is a work that definitely stands among the ranks of phenomenal oratorios. This is a tremendous performance where the chorus and conductor seem to have achieved an ideal rapport with the Israel Philharmonic. This recording presents a wonderfully fresh, dramatic exposition of an old favorite that makes it sound new-minted. It's lithe, lean and classically mean. It propels itself along at quite a lick - sometimes considerably faster than Mendelssohn's often surprisingly slow metronome marks. Pauses between movements are kept to a bare minimum, so that the momentum is not lost…Masur's generally speedy traversal is however not an unmixed blessing.

In his second EMI Classics recordings of Bruch’s two best-loved works, Perlman is joined by the Israel Philharmonic Orchestra and Zubin Mehta. He dedicated this recording to his great predecessor Jascha Heifetz, saying that “his artistry will always be my inspiration”.

The Israel Philharmonic Orchestra is the leading orchestra in Israel and globally recognized as a world class symphonic ensemble. Shani has established himself as one of the most talked about young conducting talents and is considered an inspiring successor to the legendary Zubin Mehta.

Legend of the piano Martha Argerich is releasing her first ever album partnering the Israel Philharmonic Orchestra under the baton of its new musical director, Lahav Shani.