There is no sound in space, of course, and yet over the years certain conventions have grown up, especially in film, as composers and sound effects people have tried to provide aural equivalents to the sights of stars and planets moving through the void. By now, listeners "know" what space sounds like, and Jonn Serrie's series of albums, some of their material drawn from the soundscapes he has developed for planetarium shows, well represent these impressions. In the slow-moving patterns, bits of melody and rhythm are heard here and there, but most of the music is open-ended: if not formless, it nevertheless employs loose structures in which moods or themes can stretch or be abruptly terminated. Century Seasons is a two-disc compilation in which tracks from earlier Serrie albums have been remixed and woven together to create a lengthy journey through musical space…
The story of the Cranberries is one of dogged survival. Debuting with a maiden release that everybody seemed to rate as a portent of great things, the band suffered not only a "difficult" second album but also an absolute stinker of a third one, as the bandmembers strove desperately – too desperately – to live up to their reputation for sensitivity and thoughtfulness, and completely lost sight of their true virtues in the process. Internecine squabbling, health problems, and general disaffection all took further toll, so much so that, as the band prepared to release its fourth album, 1999's Bury the Hatchet, many observers were shocked to learn that the band even existed any longer, let alone was capable of actually making a new record – especially one that was as good as Bury the Hatchet turned out to be. Filmed at the Paris Omnisport de Bercy on December 9, 1999, toward the end of that album's accompanying tour, Beneath the Skin captures the full 84-minute concert performance, with the band ranging and, occasionally, raging through a veritable greatest-hits collection.
Chapman has long had a fascination, not just with American music, but the American South and West. So an album explicitly inspired by the country should come as no surprise. The joy is how much it highlights his fabulous guitar picking. “Sweet Little Friend from Georgia” and “Coming of the Roads” might seem relatively straightforward, but the more epic “Swamp” and “Gaddo’s Lake” delve into decidedly complex territory; in fact, the impressionistic “Swamp” is probably the record’s centerpiece. As an instrumental portrait of the southern states it’s loving, very finely honed, and played in a way that reminds you that Chapman is one of the best, and most undervalued, guitarists around. Even if “Jumping Geordie” has its origins on the other side of the Atlantic, it still fits in. For longtime fans, “Indian Annie’s Kitchen” brings back some memories of “Kodak Ghosts,” and throughout small touchstones of blues, country, and jazz slip by.
Who would believe that Progressive rock reached Armenia? However this former Sovietic Republic has much to share. Just listen to Artsruni to be convinced. This current band proves that it has known how to get in touch with major influences coming mostly from Europe, without abandoning their strong local identity (Use of traditional instruments). We are in front of exceptional, virtuous and imaginative musicians, heirs of Jethro Tull or Camel. It's nothing exceptional when you know they are teachers at the Erevan University, gathered around great guitarist Vahan Artsruni. "The Live Cuts 2000-2001" unveils a dynamic rhythm which does justice to a bassist incredible of virtuosity and feeling, as well as to a flutist with a nervous play. Some tracks were recorded in collaboration with a real symphonic orchestra.
In The Flesh was a series of worldwide concert tours by Roger Waters that spanned three individual tours over the course of three years (1999, 2000, and 2002). Returning from a 12-year-long hiatus from the road, In The Flesh was a showcase of his best known work from his days with Pink Floyd, with that material dominating shows. Songs were also performed from Waters' most recently released solo album, 1992's Amused to Death, being played live for the first time. The tour's name is an allusion to the 1977 Pink Floyd tour for the Animals album, as well as the two songs so titled on the album The Wall.
Chicago native and classically trained pianist Patricia Barber's sixth album is a collection of downtempo standards, perfect for a rainy day. Taking on classics like "Autumn Leaves," "I Fall in Love Too Easily," "Bye Bye Blackbird," or even "Alfie" is always a risk, but her confident vocals and interpretations eradicate any doubt that she is a master…