Fallujah empyrean (2022)

Ambient Re-works/Remasters of some of the old tracks.

Told from the centre of the playing field, "In The Middle" follows a diverse group of match officials as they attempt to cope with the rigours of running matches in grassroots football.

Jason, a man with no parenting experience, is on an adventure to win the hearts of his fiancé's skeptical kids before they marry.

Explores an intimate portrait of rekindled family bonding and a tale of self-discovery through a home-coming story of the director, who returns to his village in Taiwan after a 24-year absence.

This documentary outlines the life and legacy of James Hemings, the first American chef to be trained classically in France, the chef to Thomas Jefferson, and the founding father of what we now know to be American food.

What if the tour de force of French opera in the Age of Enlightenment was Scylla et Glaucus? At the age of 50, the famous violinist Leclair decided to write his first operatic piece, investing irrepressible energy in it. The drama is unrelenting: the nymph Scylla spurns the advances of the Demigod Glaucus, who seeks out the sorceress Circe to cast a spell on her; Circe is in love with Glaucus, drives Scylla to madness and turns her into a deadly rock… An infernal scene, an ocean storm and final cataclysm are employed to give striking relief to this trio of unappeased love, the effusions of irresistible beauty. The conductor and violinist Stefan Plewniak conducts a glorious stage of soloists in the eddies of vengeance!

After extensive touring throughout 2022 we received a call to play at London Jazz Festival at Signature Brew in Haggerston. Since the venue is predominately an indie/rock venue we decided to stay away from repertoire and use the opportunity to channel the environment by allowing maximum spontaneity, working in the spacce with the audience and each other, emphasizing the uniqueness of each moment by surrendering to collective spontaneous composition. This album represents an experiment, an open laboratory where audience and musicians are invited to take a risk and embrace a balancing act where no one knows what awaits around the next corner. Come on a journey with us and travel into a parallel musical universe.

Early in 1935, the American violinist Louis Krasner suggested to Berg that he write a violin concerto, but Berg, involved with the orchestration of his opera Lulu, was not then interested in a new project. However, the death from poliomelytis of his young friend Manon Gropius, daughter of Mahler’s widow, that spring so saddened him that he decided to compose a concerto as a memorial to her. Te score was finished on August 11, 1935 – record time for the slow-working, meticulous Berg. Dedicated ‘to the memory of an angel’ the Violin Concerto was to be his last completed work, for on December 24 he died of septicemia of the age of fifty. Krasner gave the world premiere on April 19, 1936, in Barcelona, under Hermann Scherchen.

Two classic piano quintets from two centuries — Brahms and Shostakovich — are given superb renditions by acclaimed pianist Olga Kern and the Dalí Quartet.