Fania Meets The Beatles

Beatles fans love to explain that the key to the successful partnership of John Lennon and Paul McCartney was their contrasting songwriting personalities – Lennon was the tongue in cheek sardonic wit, McCartney the earnest balladeer. On John Pizzarelli Meets the Beatles, a sharply conceived tribute which sets the duo's classics in a jazz trio with big-band arrangements, the singer/guitarist hits the mark more often when he's taking on the Lennon persona. He approaches "Cant' Buy Me Love," "When I'm 64," and "Get Back" with a playful wink, jumping off his speedy melody lines and the rising brass sections for extended improvisational tradeoffs with pianist Ray Kennedy, and adding colorful touches like scatting and even ad libbing his own lyrical verses based on the originals.

French violinist Franck Pourcel is best-known for his jazzy string arrangements of pop hits, as well as his lush easy listening arrangements and film scores. Initially, Pourcel studied classical violin at the Paris Conservatoire, but he found the allure of jazz irresistible. In particular, he was an idol of Stephane Grappelli. Following his studies, he joined a number of jazz combos, which led him to his role as the leader of the French Fiddlers, whom he joined in the late '40s. The French Fiddlers were a group of violinists that performed jazzy versions of classical numbers or classical arrangements of pop and jazz tunes…

With this album eleven British and American blues stars took the fabric of some of the best songs of the 20th Century and spun their own magic, performing from the heart in the way great Blues and Soul artists have always done.

Given the Beatles' fondness for covering Motown favorites like "Please Mr. Postman," "Money (That's What I Want)" and "You Really Got a Hold on Me," it was only logical that Motown stars like the Supremes, the Four Tops and Stevie Wonder would also cover the Fab Four as well, albeit to varying degrees of success…