Stunning performance in front of a huge audience at the open air Odeon of Herodes Atticus, as Charles Lloyd, uniquely-expressive saxophonist, and Maria Farantouri, Greece’s voice of resistance, come together. Friends for some years, this is their first recorded collaboration. Lloyd’s brilliant quartet is on hand - with Jason Moran in especially creative mode - augmented by lyra player Socratis Sinopoulos and second pianist Takis Frazio in a marvelous programme that includes songs by Mikis Theoedorakis, suites of Greek traditional music, Eleni Karaindrou’s “Journey to Kythera” and Lloyd originals including his classic “Dream Weaver”. “Athens Concert” is a major event, a very special live album indeed.
The album title is the programme in this meeting of remarkable artists brought together to interpret traditional music of Greece, Turkey, Lebanon and Armenia, and to play original songs by Anatolian saz player Cihan Türkoğlu and lyricist Agathi Dimitroukas. In the spirit of the project, the new songs also bridge traditions and idioms and emphasize the potential of shared expression. Legendary Greek singer Maria Farantouri excels in this music beyond the borders, shaped also with the active participation of producer Manfred Eicher. German cellist Anja Lechner here draws on a knowledge of traditional folk forms gained partly through playing music of Armenian-Greek philosopher composer Gurdjieff. Armenian kanon (zither) player Meri Vardanyan has previously appeared on ECM as a member of the Gurdjieff Folk Instruments Ensemble. Ney player and ethnomusicologist Christos Barbas, from Thessaloniki, has played everything from music of the baroque to ragas. Percussionist İzzet Kızıl grew up in Eastern Turkey in an environment dominated by Sufi rhythms and has worked in many transcultural collaborations with artists from Natacha Atlas to Theodossi Spazzov, along the way evolving new approaches to traditional percussion. Beyond The Borders was recorded at Sierra Studios, Athens, in June 2017.
In March 2005 Eleni Karaindrou presented what she called “a scenic cantata” at the Megaron in Athens, a tour through her music for film and theatre, with musical themes newly combined and contrasted. A live audio recording, “Elegy of the Uprooting”, was issued in 2006: “The two-CD set interweaves excerpts of her music from 13 different scores spanning more than two decades, although the irresistible congruence of the music is such that newcomers to Karaindrou’s oeuvre would be forgiven for thinking this is newly composed. The music seduces by its profound beauty, tenderness and candour.”. – International Record Review. Here is the video and audio document of the event.
This large-scale work by Theodorakis sets the poems of Pablo Neruda to an orchestral score.
The distinctive cry of Sokratis Sinopoulos’ Constantinople lyra has previously been heard on ECM recordings of Eleni Karaindrou (The Weeping Meadow, Elegy of the Uprooting, Medea) and Charles Lloyd/Maria Farantouri (Athens Concert). The Athens-born Sinopoulos has played a key role in the revival of interest in the lyra in Greece, both in traditional music contexts and in the shaping of new music. Sinopoulos’s reflective compositions and yearning ballads on Eight Winds cede the central melodic role to the lyra, sensitively supported by the piano of Yann Keerim and the subtle bass and drums of Dimitris Tsekouras and Dimitris Emmanuel.