Music can bring a lot of comfort when you need it. Not only when you think back to the loved ones that you unfortunately have to miss, but also for all the moments when you just want to relax. This compilation CD is filled with timeless music that appeals to everyone such as '' Angels '' by Robbie Williams, '' The Rose '' by Bette Midler, '' We'll Meet Again '' by Vera Lynn, '' What A Wonderful World '' by Louis Armstrong and '' You'll Never Walk Alone '' by Gerry And The Pacemakers.
A must-have, regarding the recent events which have characterized the life of Andie Latimer, whose title- "The Opening Farewell"- is emblematic: a collection of famous immortal tracks like the sensible "Ice" or the intelligent "Spirit of Water" (regardless the fantastic "Lunar Sea" from "Moodmadness" and "Mother Road" from "Dust and Dreams") and a few less famous tunes, such as "Slow Yourself Down", "Another Night" or "For today"…
Stanford’s eight-part Latin Magnificat was posthumously dedicated to Parry, whose own Songs of farewell are unmistakably valedictory in mood. Personal as well as musical associations run deep in this poignantly expressive programme from Westminster Abbey Choir.
On 1977's A Farewell to Kings it quickly becomes apparent that Rush had improved their songwriting and strengthened their focus and musical approach. Synthesizers also mark their first prominent appearance on a Rush album, a direction the band would continue to pursue on future releases…
Farewell Tour is the first live album by American rock band The Doobie Brothers, released in 1983. It documents the group's 1982 Farewell Tour and is a double album set. By the early 1980s, the Doobie Brothers had evolved from the guitar-boogie sound under original band frontman Tom Johnston to a soulful keyboard-driven AOR sound under Michael McDonald. Despite the many personnel changes in the group, Patrick Simmons remained from the original incarnation of the group.
Farewell Tour is the first live album by American rock band The Doobie Brothers, released in 1983. It documents the group's 1982 Farewell Tour and is a double album set. By the early 1980s, the Doobie Brothers had evolved from the guitar-boogie sound under original band frontman Tom Johnston to a soulful keyboard-driven AOR sound under Michael McDonald. Despite the many personnel changes in the group, Patrick Simmons remained from the original incarnation of the group.