Fast Start Canon 70d With John Greengo

Shakti ‎- Shakti With John McLaughlin (1976) US 1st Pressing - LP/FLAC In 24bit/96kHz

Shakti - Shakti With John McLaughlin
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz | 900mb
Label: Columbia/KC 34162 | Released: 1976 | Genre: Acoustic-Fusion

Essential: a masterpiece of fusion music.
Believe me, I am not joking when I saw awesome, because it really is. Think about one suberp guitarist , who again show us what he can do with that strings and that fingers, and a superb violin, a superb tabla, so after all it could be a super band no?
Shakti With John McLaughlin ‎- A Handful Of Beauty (1977) US Demo 1st Pressing - LP/FLAC In 24bit/96kHz

Shakti With John McLaughlin ‎- A Handful Of Beauty
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz | 900mb
Label: Columbia/PC 34372 | Released: 1977 | Genre: Acoustic-Fusion

Essential: a masterpiece of jazz-fusion music.
There might have been a fact that he informed them of the name worldwide as a guitar player in the latter half of the 1960's.
Shakti With John McLaughlin ‎- Natural Elements (1977) US 1st Pressing - LP/FLAC In 24bit/96kHz

Shakti With John McLaughlin - Natural Elements
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz | 900mb
Label: Columbia/JC 34980 | Released: 1977 | Genre: Acoustic-Fusion

Essential: a masterpiece of fusion music.
« Natural Elements » is Shakti ultimate masterpiece. John Mc Laughlin shows once again his determination to bring jazz rock guitar on new territories.
Thelonious Monk Quartet with John Coltrane - At Carnegie Hall (2005) (Blue Note) **[RE-UP]**

Thelonious Monk Quartet with John Coltrane - At Carnegie Hall (2005) (Blue Note)
EAC Rip | FLAC with CUE and LOG | scans | 327 mb
MP3 CBR 320 kbps | RAR | 153 mb
Genre: jazz

At Carnegie Hall is a 2005 CD from Blue Note of a 29 November, 1957 performance by Thelonious Monk Quartet with guest John Coltrane at Carnegie Hall in New York City. This was recorded by the Voice Of America.

Start to Finish with Harry Romero  eBooks & eLearning

Posted by envasel at March 31, 2023
Start to Finish with Harry Romero

Start to Finish with Harry Romero
MP4 | Video: h264, yuv420p, 1920x1080 | Audio: aac, 44100 Hz | Duration: 10h 10m | 2.45 GB
Genre: eLearning | Language: English

Learn from a legend as Harry Romero takes you inside his studio and walks you through his production process from start to finish. From beats and basslines to mixing and mastering, learn everything you need to know to not only produce a house track but stand out from the crowd.

Canon® EOS 5D Mark IV Fast Start  eBooks & eLearning

Posted by IrGens at Sept. 6, 2018
Canon® EOS 5D Mark IV Fast Start

Canon® EOS 5D Mark IV Fast Start
.MP4, AVC, 1000 kbps, 1280x720 | English, AAC, 64 kbps, 2 Ch | 6+ hours | 3.4 GB
Instructor: John Greengo
John Patitucci & Andy James - An Evening With John Patitucci & Andy James (2021)

John Patitucci & Andy James - An Evening With John Patitucci & Andy James (2021)
EAC Rip | FLAC (tracks+log+.cue) - 510 Mb | MP3 CBR 320 kbps - 208 Mb | 01:22:46
Vocal Jazz | Label: Le Coq Records

On An Evening with John Patitucci & Andy James, two gifted performers join forces to conjure an intimate evening of captivating music. At a time when jazz aficionados around the world have been starved for musical experiences, the album recreates the sultry atmosphere of a candlelight nightclub as some of the most revered musicians in modern jazz perform classic standards.
Al Miller Chicago Blues Band - ...In Between Time (2012) with John Primer, Billy Flynn and Dave Specter

Al Miller Chicago Blues Band - …In Between Time (2012)
with John Primer, Billy Flynn and Dave Specter

EAC | FLAC | Tracks (Cue&Log) ~ 472 Mb | Mp3 (CBR320) ~ 195 Mb | Scans included
Chicago Blues, Harmonica Blues | Label: Delmark | # DE 826 | 01:12:42

Harmonica player Al Miller brings in three guitar aces to help him create this unique blues album: John Primer, Dave Specter and Billy Flynn. But Al doesn't just play harp. Whether he is wailing away on harmonica, singing, writing songs, or providing guitar accompaniment, Al imbues every aspect of his involvement in the music with feeling, which, as every blues fan knows, is what the blues is all about. Al sings most of the songs, however John Primer sings lead on three. "…In Between Time" has seventeen songs in all, including the previously unissued "Blizzard". Miller’s instrumental excursions display immaculate taste; never overplaying, he always adheres to the all-for-one, one-for-all ensemble approach characterizing postwar Chicago blues.
Chick Corea Akoustic Band with John Patitucci & Dave Weckl - Live (2021)

Chick Corea Akoustic Band with John Patitucci & Dave Weckl - Live (2021)
EAC Rip | FLAC (tracks+log+.cue) - 733 Mb | MP3 CBR 320 kbps - 309 Mb | 02:14:41
Jazz, Post-Bop | Label: Concord Jazz

With his Elektric Band in full swing in the `80s, Chick created its perfect complement: the Akoustic Band. With Elektric Band veterans John Patitucci on upright bass and Dave Weckl on drums, the group carved a totally new path in the world of the piano trio: the kinetic interplay of all three members honed on high-velocity Corea originals. As a follow-up to the Akoustic Band's Standards & More (1989) and Alive (2007), this third album was recorded live during the band's 2018 tour.
Ray Brown with John Clayton & Christian McBride  - SuperBass: Recorded Live at Scullers (1997)

Ray Brown with John Clayton & Christian McBride - Super Bass: Recorded Live at Scullers (1997)
EAC | FLAC | Tracks (Cue&Log) ~ 247 Mb | Mp3 (CBR320) ~ 135 Mb | Scans included
Bop, Hard Bop, Mainstream Jazz, Bass Jazz | Label: Telarc | # CD-83393 | 00:53:36

This live Boston summit meeting between Ray Brown, Christian McBride and John Clayton was the logical outcome of several joint appearances, as well as an extension of a one-off bass troika track that McBride included on his first solo album. The idea of a bass trio on records probably would have been unthinkable in the primitive days of recording when Brown was coming up, but Telarc's fabulously deep yet clear engineering makes it seem like a natural thing to do. Whether pizzicato or bowed, whether taking the melodic solo or plunking down the 4/4 bottom line, all three perform with amazing panache, taste, humor, lack of ego, and the sheer joy of talking to and against each other beneath the musical staff.