Father Father Figures

Blues guitarist Ronnie Earl has been making records since the end of the '70s, and he has a long legacy of fine picking to live up to, but it's not hard to wonder how much the man still has to say musically in a career that's spanned five decades. Released in 2015, Father's Day shows that Earl is not only still a master of the six-string, he still has a few new tricks up his sleeve. Father's Day gets its title from a song dealing with Earl's long estrangement from his father and their belated reconciliation, and it's a personal piece that gives Earl plenty of room to stretch out on spare, jazzy figures while the lyrics weigh the emotional hardships that come with family strife.

Ricciarelli, the Ninetta, is a loyal and accomplished Rossinian and a regular visitor to Pesaro. Her vocal portrait of this wronged country girl may strike some as being too sophisticated. I recall an old 78rpm recording of Ninetta's cavatina sung by Lina Pagliughi that seemed to strike exactly the right note of unaffected artlessness. No need to count the spoons after this girl had left for town. Ricciarelli, by contrast, rather cossets the music and occasionally elaborates it, attempting in the process perhaps to suggest a degree of vocal ease that she does not now quite possess. As an old man, Rossini wrote variants and cadenzas for this cavatina for the soprano Giuseppina Vitali but Ricciarelli appears to be using her own ornaments.

If there’s one thing both an elf and a dwarf could agree on, it’s that a little aesthetic brilliance goes a long way. This is why we’re so thrilled to share that Mondo, in partnership with Amazon Studios and Sparks and Shadows, is releasing a gorgeous limited-edition version of The Lord of the Rings: The Rings of Power‘s season one soundtrack. This 10 CD set is an expansion of Mondo’s previous two CD-version of the soundtrack. While the original soundtrack is also gorgeous, this new collector’s edition takes the epic sounds of The Rings of Power to a whole new level./quote]

Michael Finnissy first came to prominence in the mid-1970s with his orchestral works Offshore and Sea and Sky and his gargantuan piano piece English Country Tunes. Since then he has slowly been consolidating his position and has gathered a loyal band of devotees here and abroad. In fact, to a certain extent his music has probably found greater appreciation abroad than in this country a syndrome that Finnissy's music shares in common with his fellow countryman Brian Ferneyhough.

Manuscript number Mus. Ms. 31528 of the British Library, London, is a collection of 46 undated works for violoncello. Of these at least 30 are autograph works from Giuseppe Dall’Abaco (a mix of solo sonatas with basso continuo, 2 virtuoso cello duos, as well as 1 ‘Duetto’ of debatable provenance) including his unpublished „Op.1“ (XII Sonate | Per il Violoncello, e Basso | Del Sig. Giuseppe Barone | Dall’Abaco). The very high quality script, along with the appearance of bass figures at critical moments, strongly suggests that this set of pieces was in preparation for publication. The manuscripts of the remaining 18 sonatas are not so carefully prepared, including scribbled revisions, and are in need of some final corrections. Furthermore, the bass line appears almost entirely without figures, leaving ambiguity as to which instrument(s) would have made up the continuo section.

Manuscript number Mus. Ms. 31528 of the British Library, London, is a collection of 46 undated works for violoncello. Of these at least 30 are autograph works from Giuseppe Dall’Abaco (a mix of solo sonatas with basso continuo, 2 virtuoso cello duos, as well as 1 ‘Duetto’ of debatable provenance) including his unpublished „Op.1“ (XII Sonate | Per il Violoncello, e Basso | Del Sig. Giuseppe Barone | Dall’Abaco). The very high quality script, along with the appearance of bass figures at critical moments, strongly suggests that this set of pieces was in preparation for publication. The manuscripts of the remaining 18 sonatas are not so carefully prepared, including scribbled revisions, and are in need of some final corrections. Furthermore, the bass line appears almost entirely without figures, leaving ambiguity as to which instrument(s) would have made up the continuo section.

Manuscript number Mus. Ms. 31528 of the British Library, London, is a collection of 46 undated works for violoncello. Of these at least 30 are autograph works from Giuseppe Dall’Abaco (a mix of solo sonatas with basso continuo, 2 virtuoso cello duos, as well as 1 ‘Duetto’ of debatable provenance) including his unpublished „Op.1“ (XII Sonate | Per il Violoncello, e Basso | Del Sig. Giuseppe Barone | Dall’Abaco). The very high quality script, along with the appearance of bass figures at critical moments, strongly suggests that this set of pieces was in preparation for publication. The manuscripts of the remaining 18 sonatas are not so carefully prepared, including scribbled revisions, and are in need of some final corrections. Furthermore, the bass line appears almost entirely without figures, leaving ambiguity as to which instrument(s) would have made up the continuo section.