In the late spring of 1972, after numerous invitations to reunite, the elusive Dion DiMucci finally agreed to perform – for the first time in 12 years – with the original members of the Belmonts in a one-off concert as part of a rock and roll revival show to be held at Madison Square Garden. The date was June 2, 1972. The arena was sold out and the atmosphere was electric. The legendary Bronx, New York-based vocal group had earned a reputation not only for topping the charts but for creating some of the most vital and exciting doo-wop music on the American scene. With songs such as “I Wonder Why,” "A Teenager In Love" and "Where or When," Dion and The Belmonts earned their place in the history books, while the group's pioneering role in the development of rock 'n' roll underscored their enduring accomplishments. For this magical night Billy Vera and his band would be the backing band. “It was like an earthquake. You could literally feel the stage shake.” - Billy Vera
For a man of such talent and influence, New Orleans piano legend James Booker is amazingly under-recorded. This disc and its partner (Spiders on the Keys) offer up some measure of what the folks of the Big Easy might have heard if they caught Booker on one of his "on" nights (he was a known drug user and inconsistent in his playing). He is at his best here (recorded at the Maple Leaf between 1972-1982), focused and intense in his playing, wildly passionate on both keyboards and vocals.
All of the surviving music from the Miles Davis Quintet’s Newport sets of 1966 and 1967 - all previously unissued. Both sets were taken from the original live radio broadcasts and present exactly the same personnel. As a bonus, this disc adds the only two surviving tracks from the same quintet’s performance in Helsinki on November 1, 1967. Miles Davis’ music was (as almost always throughout his career) going through a transitional period in 1966. His quintet, featuring Shorter, Hancock, Carter and Williams, was on the verge of removing standards from the repertoire, to make room for Miles’ compositions, and the group itself would soon change from an acoustic to an electric format.
2010 two CD set containing all surviving music from a never before heard performance by the 1969 Miles Davis Quintet, with Wayne Shorter, Chick Corea, Dave Holland and Jack DeJohnette. It was taped at the Blue Coronet Club in New York in June of that year, before the group embarked on a European tour. Miles remembered this group in his autobiography as really a bad motherfucker. These recordings are welcome considering that this exact formation of the quintet never made a studio recording.
Tim “Too Slim“ Langford is a monster guitarist and unabashed blues rocker whose influences run the gamut from Lightnin’ Hopkins, Freddy King, Duane Allman, and Lynyrd Skynyrd to Robin Trower. He is a prolific singer/songwriter whose songs have now yielded an impressive 13 studio Too Slim and the Taildraggers albums, 2 solo albums and several live CD’s all on his own Underworld Records imprint. Too Slim and the Taildraggers are Tim “Too Slim" Langford on guitar/vocals, Zach Kasik on bass/vocals and Jeff “Shakey” Fowlkes on drums/vocals. Too Slim and the Taildraggers’ high energy Blues Rock has been thrilling audiences for years.
Wild Beasts are set to release new project 'Last Night All My Dreams Came True' on February 16th. The band are set to call time on their career next year, announcing a final flurry of live shows.
Perhaps the only subject more interesting than headlining act making major waves while on tour is the history of the venues where this occurs, and few places inspire such inquiries to the same degree as London’s The Roundhouse. Originally constructed in 1846 as a turntable engine shed for the London and Birmingham Railway, by the mid-20th century it had become an important performing arts and concert hall that would be a favorite venue for such iconic bands and artists as Pink Floyd, Jimi Hendrix, Jeff Beck, Led Zeppelin, The Ramones and Motörhead. Suffice it to say, such a location is a prime outlet for one of Germany’s most ferocious purveyors of thrash metal to record their first live album following 2017’s “Live Antichrist” release. Relative to said release, Kreator’s latest foray into neck-ruining mayhem outside of the recording studio dubbed “London Apocalypticon – Live At The Roundhouse” ups the epic factor something fierce while sparing no expense in the aggression department…