Fats Domino Live at Tipitina's

Blur Live at Wembley Stadium 2x CD / 2 cd housed in a 6 panel softpack including an 18 panel poster fold booklet. Features the complete Sunday Wembley show.

Miles Davis Quintet - Complete Recordings Live At Konserthuset - Stockholm Sweden 1960 (Restauración 2023)" features an essential live performance by the legendary Miles Davis Quintet. Recorded in 1960 at the Konserthuset in Stockholm, Sweden, this album captures the quintet during one of their European tours, a time when the group was in peak form.

This is the BBC Radio 1 Service. We proudly present one of the world's greatest bands… Colosseum! Fans tuning into their wireless sets during the great age of progressive rock would have been thrilled to hear the announcer introduce one of their favourite bands about to hit the airwaves.They wouldn't be disappointed. Few bands played with such power, fire and intensity whether in a club, at a festival or even in the confines of a radio station studio. Led by drumming legend Jon Hiseman, Colosseum was guaranteed to give an exciting performance as soon as the red recording light went on and the engineer gave the thumbs up.Even so, it seemed like a fleeting moment, once the broadcasts were over, never to be heard again. But here is the exciting news. Many of the shows when Colosseum roared into epic arrangements like Walking In The Park, Daughter Of Time , Tanglewood 63 and Rope Ladder To The Moon were captured on tape for posterity, not only by the BBC but by listeners armed with their own home recorders.

BACK TO THE GARDEN is intended to let people hear the festival as it really happened. Producer Andy Zax says he, sound producer Brian Kehew and mastering engineer Dave Schultz avoided interfering with the tapes as much as possible in order to preserve their authenticity. “It’s not surprising that other producers’ first reaction to these tapes over the years has been ‘uh-oh,’ immediately followed by ‘we’ve gotta find a way to fix this.’ I'm not unsympathetic to that approach, but if there's a single overriding lesson that Brian Kehew and I have learned since we began working with the Woodstock tapes in 2005, it’s this: you can't fix them… That’s less grim than it seems, because once you’ve accepted the idea that there is no way to make these recordings sound slick, you realize that these tapes are the sonic equivalent of heirloom tomatoes — slightly imperfect, but delicious.”

Between August 15-18, 1969, more than 400,000 people converged on Max Yasgur’s 600-acre dairy farm in upstate New York for Woodstock. Thirty-two acts performed including some of the most popular and influential musicians of the era such as Joan Baez, The Band, Crosby, Stills, Nash & Young, Creedence Clearwater Revival, Grateful Dead, Jimi Hendrix, Janis Joplin, Jefferson Airplane, Santana, Sly and the Family Stone, and The Who.

Between August 15-18, 1969, more than 400,000 people converged on Max Yasgur’s 600-acre dairy farm in upstate New York for Woodstock. Thirty-two acts performed including some of the most popular and influential musicians of the era such as Joan Baez, The Band, Crosby, Stills, Nash & Young, Creedence Clearwater Revival, Grateful Dead, Jimi Hendrix, Janis Joplin, Jefferson Airplane, Santana, Sly and the Family Stone, and The Who.

While it boasts neither the landmark status of the two Live at the Apollo LP nor the scope and reach of JB's-era documents like Sex Machine or Love Power Peace, Live at the Garden captures James Brown live, and that's really all the recommendation you need. Recorded at New York City's Madison Square Garden in 1967, the album features Brown & His Famous Flames in peak form, delivering feverish, high-energy grooves almost mathematical in their symmetry and precision. The on-stage intensity is directly proportional to the audience frenzy, building to the kind of catharsis only Brown could achieve.

"This is not a show," murmurs Michael Stipe at the start of Live at the Olympia and it's not quite misdirection. R.E.M.'s five-night residency at Dublin's Olympia in the summer of 2007 functioned as working rehearsals for their 14th album, Accelerate, with the band testing out each of the songs, exploring arrangements, finding breaking points, and pairing them with older songs that informed their back-to-basics move.