Faust Anne Imhof

Miniaturas lunares est une expérience acoustique qui établit des ponts entre les musiques populaires, classiques et contemporaines. Miniaturas lunares est une succession de fragments sonores très courts, des histoires minimales qui s’enchaînent. Ces miniatures alternent des poèmes, des chansons et des morceaux de musique instrumentale. J’ai imaginé une série de musiques extrêmement légères et éphémères. Des moments de vie très intimes où l’on s’attache au présent pour que le temps s’allonge et devienne élastique. Des instants de joie, de mélancolie, de surprises, détonants, d’humeur mais aussi des instants nostalgiques qui se succèdent vertigineusement.

A late discovery of a most important female composer from France for the musical world. Melanie Helene Bonis, known by her artistic pseudonym Mel Bonis (21 January 1858 - 18 March 1937), was a Romantic composer in the late years of the 19th century and first half of the 20th century.

For her 34th studio album, Anne Murray recorded a set of duets with many of her favorite female singers, from Nelly Furtado to Sarah Brightman. There are a number of country duet partners here, such as Shania Twain, Emmylou Harris, and Martina McBride, but there are even more pop-oriented women singing with Murray, encompassing the likes of Celtic Woman and Celine Dion. This makes perfect sense, as Murray's always straddled the pop-country fence effortlessly. Her singing on Duets: Friends and Legends is just as effortless. Now in her fifth decade as an active recording artist, her voice hasn't lost a beat, sounding just as pure and clear as it did on 1970s "Snowbird" (done here with a surprisingly relaxed, easy vocal from Brightman, sounding for all the world like a young Olivia Newton-John). The majority of these songs are ones which have been sizeable hits for Murray in the past, most of which work nicely recast as duets, or at least showcases for harmony singing.

Anne Sofie von Otter is a leading mezzo-soprano known for her versatility in operatic roles, her interesting recital choices, and her willingness to take vocal risks. Her father was a Swedish diplomat whose career took the family to Bonn, London, and back to Stockholm while Anne Sofie was growing up. As a result, she gained fluency in languages. She studied music at the Guildhall School of Music and Drama in London. Her main voice teacher was Vera Rozsa, while Erik Werba and Geoffrey Parsons coached her in lieder interpretation.