Faye Kanouse

The award-winning Amaury Faye Trio present "Clearway", a 9-track release of smooth, laid-back yet engagingly fresh original jazz numbers. The album includes original compositions and standards by Cy Coleman and Charlie Parker. This album is called "Clearway", which is the name of the street where Amaury lived when he was in Boston.

A 1957 session of traditional music recorded in anticipation that folk music would be the next big trend. Frances Faye is accompanied by brass and strings arranged by Russ Garcia and a band that includes Maynard Ferguson and Don Fagerquist on trumpets, Frank Rosolino on trombone and Mel Lewis on drums.

An early session, released by Bethlehem in 1956, from a jazz vocalist. Frances Faye work with terrific musicians, some working without credit due to contractual problems, such as Maynard Ferguson, Herbie Mann and conductor/arranger Russ Garcia.

This 1955 album was also known by the title "Bad, Bad Frances Faye" when it was first reissued in the 1970s. Faye interprets these standards accompanied by an orchestra conducted by talented arranger Russell Garcia, featuring sidemen Maynard Ferguson, Herbie Harper, Frank Rosolino and Mel Lewis, among others.

Faye Webster's songs are direct lines to the human subconscious, and Underdressed at the Symphony documents what happens once you begin to build a new self from the ashes of your old routines. This rebirth isn't flashy or definitive, but is instead a series of seemingly mundane moments that, scattered across weeks and months, sneak their way toward something like healing. Yes, there's a breakup in play, but Webster is not documenting the heartbreak of a breakup so much as she's navigating the contours of heartbreak itself. Recorded at Sonic Ranch Studios in Texas with her longtime band, Webster is accompanied on Underdressed at the Symphony by Matt Stoessel's arcs of shimmering pedal steel, the plaintive, unhurried drums of Charles Garner, and, occasionally, additional guitarwork from Wilco's Nels Cline. The title of the album refers to Webster's post-breakup compulsion to visit the symphony on a whim, usually buying a ticket at the last possible second.

I Know I’m Funny haha is Webster’s most realized manifestation yet of this emotional and musical alchemy. Continuing to bloom from her 2019 breakthrough and Secretly Canadian debut Atlanta Millionaires Club, Webster’s sound draws as much from the lap-steel singer-songwriter pop of the 1970s and teardrop country tunes as it does from the audacious personalities of her city’s rap and R&B community.

Faye Webster’s songs are direct lines to the human subconscious, and Underdressed at the Symphony documents what happens once you begin to build a new self from the ashes of your old routines. This rebirth isn’t flashy or definitive, but is instead a series of seemingly mundane moments that, scattered across weeks and months, sneak their way toward something like healing. Yes, there’s a breakup in play, but Webster is not documenting the heartbreak of a breakup so much as she’s navigating the contours of heartbreak itself.

Fans of female vocalists of the '50s inevitably bemoan the lack of respect given to one of the true greats. Frances Faye, like Peggy Lee, was a dishy, somewhat off-kilter blonde who could scribble out a mean tune when the mood hit her. She was actually a recording presence in the decades prior, writing and co-writing songs that were recorded by herself and other artists such as the Andrews Sisters all through the late '30s and '40s.